Dramatic Structure
In a play that follows a climatic plot construction, Dionysus the Protagonist, instigates the unfolding action by simultaneously emulating the play's author, costume designer, choreographer and artistic director. Helen P. Foley wrote of the links between the importance of Dionysus as the central character and his effect on the play's structure, she writes: "the poet uses the ritual crisis to explore simultaneously god, man, society, and his own tragic art. In this protodrama Dionysus, the god of the theatre, stage-directs the play." At the start of the play, Dionysus gives us the exposition and from which we can highlight the play's central conflict; the invasion of Greece by an Asian religion.
Read more about this topic: The Bacchae
Famous quotes containing the words dramatic and/or structure:
“A dramatic experience concerned with the mundane may inform but it cannot release; and one concerned essentially with the aesthetic politics of its creators may divert or anger, but it cannot enlighten.”
—David Mamet (b. 1947)
“... the structure of our public morality crashed to earth. Above its grave a tombstone read, “Be tolerant—even of evil.” Logically the next step would be to say to our commonwealth’s criminals, “I disagree that it’s all right to rob and murder, but naturally I respect your opinion.” Tolerance is only complacence when it makes no distinction between right and wrong.”
—Sarah Patton Boyle, U.S. civil rights activist and author. The Desegregated Heart, part 2, ch. 2 (1962)