Critical Review
Up until the late nineteenth century the play's themes were considered far too gruesome to be studied and appreciated. It was Nietzsche's "Birth of Tragedy" in 1872 that re-posed the question of Dionysus's relation with the theatre that elevated interest in The Bacchae. In the twentieth century performances of The Bacchae had become quite fashionable, particularly so in the opera due to the dramatic choruses found throughout the story. R.P Winnington-Ingram's review in 1948 praises the work of Euripides, he writes: "On its poetical and dramatic beauties he writes with charm and insight; on more complex themes he shows equal mastery."
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