Plot
The plot-summaries of the shorts are listed below in the order that they run in the DVD release, which is not the chronological order. Chronologically, the order would be:
- The Second Renaissance - a prequel set generations before the original film, The Matrix, relating how humans built artificially intelligent Machines, the apocalyptic war between the two, ending with the Machines enslaving the human race and the initial creation of The Matrix virtual reality.
- A Detective Story - a stand-alone story in which the character Trinity appears, but independently of any other characters. Because Trinity is present it takes place at least within several years of the films, and though it is not made clear within the cartoon if it takes place before or after Trinity met Neo in the original film, another official source places it before the events of The Matrix.
- Kid's Story - set during the six month gap between the events of the first and second films, after Neo joins the crew of the Nebuchadnezzar in freeing other humans from the Matrix. Its events are briefly alluded to in dialogue at the beginning of The Matrix Reloaded.
- Final Flight of the Osiris - takes place directly before The Matrix Reloaded, as the hovercraft Osiris stumbles upon the Sentinel army digging to Zion. At the beginning of The Matrix Reloaded, Niobe mentions that their reconnaissance photos of the Machine army were transmitted from the Osiris.
The other four shorts (Program, World Record, Beyond, and Matriculated) are independent of the events of any other installment. While they generically deal with the virtual reality of the Matrix, and the Zion rebels, conceivably they could take place at any point in the generations-long struggle between the human rebels and the Machines running the Matrix. Like the Matrix trilogy, the entire movie except The Final Flight of the Osiris was rated R by the MPAA mainly for its Sci-Fi violence. When it was released on DVD, it was unrated.
Read more about this topic: The Animatrix
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“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)