In Popular Culture
- Physicist Freeman Dyson cites That Hideous Strength and the N.I.C.E. organization on pages 141–143 of his book A Many-Colored Glass: Reflections on the Place of Life in the Universe (University of Virginia Press, 2007) as an example of theofiction.
- The post-hardcore band Thrice based their song "That Hideous Strength" (a b-side from their The Illusion of Safety recordings and released on their EP, If We Could Only See Us Now) on Lewis's novel.
- Christian Progressive Death Metal band Becoming the Archetype's 2008 album Dichotomy is based heavily on the book.
- English electronic musician Belbury Poly takes his name from the town of Belbury. Many of his peers on the Ghost Box Music label pay similar homage to Lewis' mythology of Belbury.
- Progressive rock band Glass Hammer has a song titled That Hideous Strength on their concept album Perelandra, which is based on the stories of The Space Trilogy and The Chronicles of Narnia by C. S. Lewis.
Read more about this topic: That Hideous Strength
Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
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“The press is no substitute for institutions. It is like the beam of a searchlight that moves restlessly about, bringing one episode and then another out of darkness into vision. Men cannot do the work of the world by this light alone. They cannot govern society by episodes, incidents, and eruptions. It is only when they work by a steady light of their own, that the press, when it is turned upon them, reveals a situation intelligible enough for a popular decision.”
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“The local is a shabby thing. There’s nothing worse than bringing us back down to our own little corner, our own territory, the radiant promiscuity of the face to face. A culture which has taken the risk of the universal, must perish by the universal.”
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