Textus Receptus - History of The Textus Receptus

History of The Textus Receptus

The Dutch humanist Erasmus had been working for years on two projects: a collation of Greek texts and a fresh Latin New Testament. In 1512, he began his work on a fresh Latin New Testament. He collected all the Vulgate manuscripts he could find to create a critical edition. Then he polished the Latin. He declared, "It is only fair that Paul should address the Romans in somewhat better Latin." In the earlier phases of the project, he never mentioned a Greek text: "My mind is so excited at the thought of emending Jerome’s text, with notes, that I seem to myself inspired by some god. I have already almost finished emending him by collating a large number of ancient manuscripts, and this I am doing at enormous personal expense."

While his intentions for publishing a fresh Latin translation are clear, it is less clear why he included the Greek text. Though some speculate that he intended on producing a critical Greek text or that he wanted to beat the Complutensian Polyglot into print, there is no evidence to support this. Rather his motivation may have been simpler: he included the Greek text to prove the superiority of his Latin version. He wrote, "There remains the New Testament translated by me, with the Greek facing, and notes on it by me." He further demonstrated the reason for the inclusion of the Greek text when defending his work: "But one thing the facts cry out, and it can be clear, as they say, even to a blind man, that often through the translator’s clumsiness or inattention the Greek has been wrongly rendered; often the true and genuine reading has been corrupted by ignorant scribes, which we see happen every day, or altered by scribes who are half-taught and half-asleep." Erasmus's new work was published by Froben of Basel in 1516 and thence became the first published Greek New Testament, the Novum Instrumentum omne, diligenter ab Erasmo Rot. Recognitum et Emendatum. He used manuscripts: 1, 1rK, 2e, 2ap, 4ap, 7, 817. The second edition used the more familiar term Testamentum instead of Instrumentum, and eventually became a major source for Luther's German translation. In second edition (1519) Erasmus used also Minuscule 3.

Typographical errors (attributed to the rush to complete the work) abounded in the published text. Erasmus also lacked a complete copy of the book of Revelation and was forced to translate the last six verses back into Greek from the Latin Vulgate in order to finish his edition. Erasmus adjusted the text in many places to correspond with readings found in the Vulgate, or as quoted in the Church Fathers; consequently, although the Textus Receptus is classified by scholars as a late Byzantine text, it differs in nearly two thousand readings from the standard form of that text-type, as represented by the "Majority Text" of Hodges and Farstad (Wallace 1989). The edition was a sell-out commercial success and was reprinted in 1519, with most—though not all—the typographical errors corrected.

Erasmus had been studying Greek New Testament manuscripts for many years, in the Netherlands, France, England and Switzerland, noting their many variants, but had only six Greek manuscripts immediately accessible to him in Basel. They all dated from the 12th Century or later, and only one came from outside the mainstream Byzantine tradition. Consequently, most modern scholars consider his text to be of dubious quality.

With the third edition of Erasmus' Greek text (1522) the Comma Johanneum was included, because "Erasmus chose to avoid any occasion for slander rather than persisting in philological accuracy", even though he remained "convinced that it did not belong to the original text of l John." Popular demand for Greek New Testaments led to a flurry of further authorized and unauthorized editions in the early sixteenth century, almost all of which were based on Erasmus's work and incorporated his particular readings, although typically also making a number of minor changes of their own.

The overwhelming success of Erasmus' Greek New Testament completely overshadowed the Latin text upon which he had focused. Many other publishers produced their own versions of the Greek New Testament over the next several centuries. Rather than doing their own critical work, most just relied on the well-known Erasmian text.

Robert Estienne, known as Stephanus (1503–1559), a printer from Paris, edited the Greek New Testament four times, in 1546, 1549, 1550 and 1551, the last in Geneva. The first two are among the neatest Greek texts known, and are called O mirificam; the third edition is a splendid masterpiece of typographical skill. It has critical apparatus in which quoted manuscripts referred to the text. Manuscripts were marked by symbols (from α to ις). He used Polyglotta Complutensis (symbolized by α) and 15 Greek manuscripts. Among these are included: Codex Bezae, Codex Regius, minuscules 4, 5, 6, 2817, 8, 9. The first step towards modern Textual Criticism was made. The third edition is known as the Editio Regia. The edition of 1551 contains the Latin translation of Erasmus and the Vulgate. It is not nearly as fine as the other three and is exceedingly rare. It was in this edition that the division of the New Testament into verses was for the first time introduced.

The third edition of Estienne was used by Theodore Beza (1519–1605), who edited it nine times between 1565 and 1604. In the critical apparatus of the second edition he used the Codex Claromontanus and the Syriac New Testament published by Emmanuel Tremellius in 1569. Codex Bezae was twice referenced (as Codex Bezae and β' of Estienne).

The origin of the term Textus Receptus comes from the publisher's preface to the 1633 edition produced by Bonaventure and his nephew Abraham Elzevir who were partners in a printing business at Leiden. The preface reads, textum ergo habes, nunc ab omnibus receptum, in quo nihil immulatum aut corruptum damus, translated as, "so you hold the text, now received by all, in which (is) nothing corrupt." The two words textum and receptum were modified from the accusative to the nominative case to render textus receptus. Over time, this term has been retroactively applied to Erasmus' editions, as his work served as the basis of the others.