Style and Major Themes
Pratchett is known for a distinctive writing style that includes a number of characteristic hallmarks. One example is his use of footnotes, which usually involve a comic departure from the narrative or a commentary on the narrative, and occasionally have footnotes of their own.
Pratchett has a tendency to avoid using chapters, arguing in a Book Sense interview that "life does not happen in regular chapters, nor do movies, and Homer did not write in chapters", adding "I'm blessed if I know what function they serve in books for adults." However, there have been exceptions; Going Postal and Making Money and several of his books for younger readers are divided into chapters. Pratchett has offered explanations for his sporadic use of chapters; in the young adult titles, he says that he must use chapters because ' editor screams until does', but otherwise feels that they're an unnecessary 'stopping point' that gets in the way of the narrative.
Characters, place names, and titles in Pratchett's books often contain puns, allusions and culture references. Some characters are parodies of well-known characters: for example, Pratchett's character Cohen the Barbarian, also called Ghengiz Cohen, is a parody of Conan the Barbarian and Genghis Khan, and his character Leonard of Quirm is a parody of Leonardo da Vinci. Another parody is in the Discworld Companion, where the article for Unseen University has a Latin motto that when translated reads, "Now you see it, now you don't,".
Another hallmark of his writing is the use of capitalised dialogue without quotation marks, used to indicate the character of Death communicating telepathically into a character's mind. Other characters or types of characters have similarly distinctive ways of speaking, such as the auditors of reality never having quotation marks, Ankh-Morpork grocers never using punctuation correctly, and golems capitalising each word in everything they say. Pratchett also made up a new colour, octarine, a 'fluorescent greenish-yellow-purple', which is the eighth colour in the Discworld spectrum—the colour of magic. Indeed, the number eight itself is regarded in the Discworld as being a magical number; for example, the eighth son of an eighth son will be a wizard, and his eighth son will be a "sourcerer" (which is one reason why wizards aren't allowed to have children).
Discworld novels often include a modern innovation and its introduction to the world's medieval setting, such as a public police force (Guards! Guards!), guns (Men at Arms), submarines (Jingo), cinema (Moving Pictures), investigative journalism (The Truth), the postage stamp (Going Postal), and modern banking (Making Money). The "clacks", the tower-to-tower semaphore system system that has sprung up in later novels, is a mechanical version of the telegraph chain, with all the change and turmoil that such an advancement implies. The resulting social upheaval driven by these changes serves as the setting for the main story.
Read more about this topic: Terry Pratchett, Writing
Famous quotes containing the words style and, style, major and/or themes:
“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”
—Helen Hayes (1900–1993)
“A cultivated style would be like a mask. Everybody knows it’s a mask, and sooner or later you must show yourself—or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind.... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.”
—Katherine Anne Porter (1890–1980)
“The man, or the boy, in his development is psychologically deterred from incorporating serving characteristics by an easily observable fact: there are already people around who are clearly meant to serve and they are girls and women. To perform the activities these people are doing is to risk being, and being thought of, and thinking of oneself, as a woman. This has been made a terrifying prospect and has been made to constitute a major threat to masculine identity.”
—Jean Baker Miller (20th century)
“I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.”
—Henry David Thoreau (1817–1862)