Cultural Legacy
Terence's plays were a standard part of the Latin curriculum of the neo-classical period. US President John Adams once wrote to his son, "Terence is remarkable, for good morals, good taste, and good Latin...His language has simplicity and an elegance that make him proper to be accurately studied as a model."
Two of the earliest English comedies, Ralph Roister Doister and Gammer Gurton's Needle, are thought to parody Terence's plays.
Due to his cognomen Afer, Terence has long been identified with Africa and heralded as the first poet of the African diaspora by generations of writers, including Juan Latino, Phyllis Wheatley, Alexandre Dumas, Langston Hughes and Maya Angelou.
American playwright Thornton Wilder based his novel The Woman of Andros on Terence's Andria.
Questions as to whether Terence received assistance in writing or was not the actual author have been debated over the ages, as described in the 1911 edition of the Encyclopædia Britannica:
meets the charge of receiving assistance in the composition of his plays by claiming as a great honour the favour which he enjoyed with those who were the favorites of the Roman people. But the gossip, not discouraged by Terence, lived and throve; it crops up in Cicero and Quintilian, and the ascription of the plays to Scipio had the honour to be accepted by Montaigne and rejected by Diderot.
Read more about this topic: Terence
Famous quotes containing the words cultural and/or legacy:
“We are in the process of creating what deserves to be called the idiot culture. Not an idiot sub-culture, which every society has bubbling beneath the surface and which can provide harmless fun; but the culture itself. For the first time, the weird and the stupid and the coarse are becoming our cultural norm, even our cultural ideal.”
—Carl Bernstein (b. 1944)
“What is popularly called fame is nothing but an empty name and a legacy from paganism.”
—Desiderius Erasmus (c. 1466–1536)