History and Development
The earliest origins of the tenor guitar are not yet fully clear but it now seems very unlikely that a true four-stringed guitar-shaped tenor guitar appeared before the late 1920s. Gibson built the tenor lute TL-4 in 1924, which had a lute-like pear-shaped body, four strings and a tenor banjo neck. It is possible that similar instruments were made by other makers such as Lyon and Healy and banjo makers, such as Bacon. In the same period, banjo makers, such as Paramount, built transitional round banjo-like wood-bodied instruments with four strings and tenor banjo necks called tenor harps. From 1927 onwards, the very first true wood-bodied acoustic tenor guitars appeared as production instruments made by both Gibson and Martin.
Almost all the major guitar makers, including Gibson, Martin, Epiphone, Kay, Gretsch, Guild and National, have manufactured tenor (and plectrum) guitars as production instruments at various times. In collaboration with Cliff Edwards, Dobro built the four-stringed round-bodied resonator tenor scale length instrument called the Tenortrope in the early 1930s. Makers such as Gibson even used to offer the tenor (or plectrum) models as a custom option for their six string guitar models at no extra charge. Gibson also had a line of tenor guitars under their "budget" brand name of Kalamazoo. Budget tenor guitars by makers such as Harmony, Regal and Stella, were made in large numbers in the 1950s and 1960s and are still widely available.
Tenor guitars were manufactured continuously by both Gibson and Martin from the 1920s until the 1970s. National, formed by the Dopyera Brothers, also made significant numbers of resonator tenor and plectrum guitars between the 1920s and 1940s, some of which were also used by jazz musicians as a second instrument. Dobro, another company associated with the Dopyera Brothers, as well as National, also built various resonator tenor guitar models.
Read more about this topic: Tenor Guitar
Famous quotes containing the words history and, history and/or development:
“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
—Alexander Herzen (1812–1870)
“There are two great unknown forces to-day, electricity and woman, but men can reckon much better on electricity than they can on woman.”
—Josephine K. Henry, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 15, by Susan B. Anthony and Ida Husted Harper (1902)
“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)