Posthumous Recognition
From February 1 to July 21, 2011, to commemorate the 100th anniversary of his birth, the Harry Ransom Center at the University of Texas at Austin, the home of Williams' archive, exhibited 250 of his personal items. The exhibit, entitled "Becoming Tennessee Williams," included a collection of Williams manuscripts, correspondence, photographs and artwork.
In late 2009, Williams was inducted into the Poets' Corner at the Cathedral Church of Saint John the Divine. Performers who took part in his induction included Vanessa Redgrave, John Guare, Eli Wallach, Sylvia Miles, Gregory Mosher, and Ben Griessmeyer.
The Tennessee Williams Theater in Key West, Florida, is named for him.
At the time of his death, Williams had been working on a final play, In Masks Outrageous and Austere, which attempted to reconcile certain forces and facts of his own life, a theme which ran throughout his work, as Elia Kazan had said. As of September 2007, author Gore Vidal was in the process of completing the play, and Peter Bogdanovich was slated to direct its Broadway debut. The play finally received its world premiere in New York City in April 2012, directed by David Schweizer and starring Shirley Knight as Babe.
The Williams family home in Columbus, Mississippi, was recently renovated and reopened.
Williams's literary legacy is represented by the literary agency headed by Georges Borchardt.
Williams was honored by the U.S. Postal Service on a stamp in 1994 as part of their literary arts series.
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Famous quotes containing the words posthumous and/or recognition:
“One must be a living man and a posthumous artist.”
—Jean Cocteau (1889–1963)
“I waited and worked, and watched the inferior exalted for nearly thirty years; and when recognition came at last, it was too late to alter events, or to make a difference in living.”
—Ellen Glasgow (1873–1945)