Ten Thousand Fists

Ten Thousand Fists is the third studio album by American metal band Disturbed. It was released on September 20, 2005 and became Disturbed's second consecutive number 1 debut on the Billboard 200 in the United States, shipping around 239,000 copies in its opening week. It has been certified Platinum by the RIAA and was also the band's second number 1 release in New Zealand. It is also the first Disturbed album to not have the Parental Advisory label.

Ten Thousand Fists marks the first album with bassist John Moyer who replaced Steve Kmak following his dismissal in 2003. However, he was considered a session musician during the time of recording, and only became a full-time member during the tour supporting the album. It would be the band's third and final collaboration with mainstay producer Johnny K. The album is also the first in which Disturbed's mascot, The Guy, appears on the album cover. He would later appear full-bodied in the music video for "Land of Confusion".

Ten Thousand Fists is, as of 2010, Disturbed's second highest selling album in the United States, with sales of around 1.9 million copies. The Sickness, the band's debut CD, has shifted sales of almost 4.2 million copies in the United States. The album was dedicated to Dimebag Darrell who was murdered the year before.

Read more about Ten Thousand Fists:  Promotion, Themes, Reception, Track Listing, Personnel, Chart Positions, Certifications

Famous quotes containing the words ten thousand, ten, thousand and/or fists:

    “I saw ten thousand talkers whose tongues were all broken,
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    It’s a hard rain’s a-gonna fall.”
    —Bob Dylan [Robert Allen Zimmerman] (b. 1941)

    “Mix salt and sand, and it shall puzzle the wisest of men, with his mere natural appliances, to separate all the grains of sand from all the grains of salt; but a shower of rain will effect the same object in ten minutes.”
    —Thomas Henry Huxley (1825–95)

    “If I had a thousand sons, the first humane principle I would
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    —William Shakespeare (1564–1616)

    “The trenchant editorials plus the keen rivalry natural to extremely partisan papers made it necessary for the editors to be expert pugilists and duelists as well as journalists. An editor made no assertion that he could not defend with fists or firearms.”
    —Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)