Ten Thousand Fists is the third studio album by American metal band Disturbed. It was released on September 20, 2005 and became Disturbed's second consecutive number 1 debut on the Billboard 200 in the United States, shipping around 239,000 copies in its opening week. It has been certified Platinum by the RIAA and was also the band's second number 1 release in New Zealand. It is also the first Disturbed album to not have the Parental Advisory label.
Ten Thousand Fists marks the first album with bassist John Moyer who replaced Steve Kmak following his dismissal in 2003. However, he was considered a session musician during the time of recording, and only became a full-time member during the tour supporting the album. It would be the band's third and final collaboration with mainstay producer Johnny K. The album is also the first in which Disturbed's mascot, The Guy, appears on the album cover. He would later appear full-bodied in the music video for "Land of Confusion".
Ten Thousand Fists is, as of 2010, Disturbed's second highest selling album in the United States, with sales of around 1.9 million copies. The Sickness, the band's debut CD, has shifted sales of almost 4.2 million copies in the United States. The album was dedicated to Dimebag Darrell who was murdered the year before.
Read more about Ten Thousand Fists: Promotion, Themes, Reception, Track Listing, Personnel, Chart Positions, Certifications
Famous quotes containing the words ten thousand, ten, thousand and/or fists:
“They was givin’ me ten thousand watts a day, you know, and I’m hot to trot. Next woman takes me on gonna light up like a pinball machine and pay off in silver dollars.”
—Laurence Hauben, U.S. screenwriter, Bo Goldman, and Milos Forman. Randall McMurphy (Jack Nicholson)
“And one of his partners asked “Has he vertigo?” and the other glanced out and down and said “Oh no, only about ten feet more.””
—Ogden Nash (1902–1971)
“One general builds his success on ten thousand bleaching bones.”
—Chinese proverb.
“The trenchant editorials plus the keen rivalry natural to extremely partisan papers made it necessary for the editors to be expert pugilists and duelists as well as journalists. An editor made no assertion that he could not defend with fists or firearms.”
—Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)