A television special is a television program which interrupts or temporarily programming normally scheduled for a given time slot. Sometimes, however, the term is given to a telecast of a theatrical film, such as The Wizard of Oz or The Ten Commandments, which is not part of a regular series of such anthology series as NBC Saturday Night at the Movies (1961–1978).
The term originally applied especially to major dramatized presentations of an hour or two which were broadcast during times normally occupied by episodes of one or more weekly television series, thus replacing the series for that specific week. In the 1960s, multi-part specials, over several days in a week, or on the same day for several weeks, evolved from this format, though these were more commonly called miniseries. The term "TV special" formerly applied more to dramas or musicals presented live or on videotape (such as Peter Pan) than to filmed presentations especially made for television, which were (and still are) designated as made-for-TV movies.
Other forms of TV specials are one-time comedy or musical events, one-shot seasonal programs (e.g. Christmas television specials), irregular sports events (e.g. the Olympic Games or the Super Bowl), live coverage of a popular cultural event (such as the Academy Awards or Macy's Thanksgiving Day Parade) or spontaneous interruptions of active programming to cover an important news event (election coverage, however, is generally scheduled).
Famous quotes containing the words television and/or special:
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It’s the drowning out of false voices.”
—Don Delillo (b. 1926)