Criticism
The licence has been criticised both in principle and as regards its implementation.
It is opposed for being outdated in a world with an increasing variety of TV channels and audio-visual technologies. Commercial television companies have alleged that RTÉ unfairly uses licence fee to outbid them for broadcast rights to foreign films, TV series, and sports events. RTÉ denies this. European Community competition law prevents state funding of commercial activity, and RTÉ's accounts charge for non-"public service" programming out of its commercial income rather than its licence fee subsidy.
The licence is condemned as a regressive tax, where the majority of prosecutions are of people on low incomes.
The high cost of collection is presented as inefficient. Licence inspectors' calling to people's doors is seen as intrusive. The low rate of prosecution of non-payers is seen as allowing evaders a "free ride". Alternative funding methods suggested include direct funding from general exchequer revenues, or a levy on electricity bills on the model of Cyprus.
A licence is required per address, rather than per person or per set. It has been considered unfair that the same licence fee applies to a single private dwelling as to a large commercial address, such as a hotel or a privately owned business park. In 2003, there was negative comment after a crackdown on unlicenced television sets at holiday homes, and proposals for a reduced-rate licence for seldom-occupied premises.
RTÉ journalists largely support the existence of the licence, and lobby for greater increases in the fee, as being a revenue stream independent of the government and thus guaranteeing freedom from political influence and associated editorial bias. The opposite claim has also been made: that an annual review of the licence fee by the Government leaves RTÉ liable to political pressure.
A survey of public attitudes to public-sector broadcasting was carried out by the Economic and Social Research Institute in 2004. The authors noted that "public discontent at the level and inherently regressive nature of the ad rem licence fee is noticeable by its absence, particularly in contrast to the difficulties associated with the introduction of some ad rem service charges, e.g. bin and water charges." The associated opinion poll recorded agree:disagree percentages of 54:29 for the statement "Public Broadcasting should be financed by the licence fee." Respondents were asked what level of monthly fee they would be prepared to pay to receive RTÉ if subscription access were hypothetically to replace the licence fee: the annualised mean and median household figures were €180 and €252.60, compared to the then licence fee of €150, with those who frequently watched RTE programs most willing to pay
Read more about this topic: Television Licensing In The Republic Of Ireland
Famous quotes containing the word criticism:
“Nothing would improve newspaper criticism so much as the knowledge that it was to be read by men too hardy to acquiesce in the authoritative statement of the reviewer.”
—Richard Holt Hutton (1826–1897)
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“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
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