Telephone Free Landslide Victory - About

About

The band's lineup at the time of recording was David Lowery (lead vocals, rhythm guitar), Jonathan Segel (violin, keyboards, guitar, backing vocals), Chris Molla (guitar, backing vocals), Victor Krummenacher (bass, backing vocals), and Anthony Guess (drums). The album is the only Camper Van Beethoven record not to feature guitarist Greg Lisher. Lisher is actually listed in the album credits as a band member, but he did not join the band until after the album was recorded.

Musically, the album is a combination of songs and instrumentals. The former are simple garage tunes, with a folk-punk sound and absurdist lyrics, often simultaneously mocking and affectionately celebrating aspects of '80s underground counterculture, with references to punks, skinheads, surfers, skaters and hippies. These songs are comparable to other humorous '80s underground bands like The Violent Femmes, The Dead Milkmen and The Young Fresh Fellows. The instrumentals, however, are completely different: they combine ethnic melodies (often Eastern Europe, Mexican or spaghetti Western) played on Segel's violin and Molla's guitar, with ska beats supplied by Guess, Lowery and Krummenacher. The alternation between the instrumentals and songs creates an almost split personality that is one of the most unusual aspects of the record. Later versions of the band would integrate the ethnic influences with the actual songs, but here they are quite separate. The one thing that the two song-types have in common is that they are both quite droll, leading to the band being inaccurately typecast as a novelty group.

Despite the considerable musical growth that the band would show in its later work, Telephone Free Landslide Victory has remained one of its most enduring albums. The reunited Camper Van Beethoven frequently features several of the album's songs in their set lists to this day, including "Take the Skinheads Bowling", the countrified Black Flag cover "Wasted", the hardcore send-up "Club Med Sucks", "The Day That Lassie Went to the Moon", "Ambiguity Song", and several of the instrumentals.

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