Career
In 1987, Riley, Aaron Hall, and Timmy Gatling formed the R&B group Guy. Managed by Gene Griffin, Riley's work with Guy pioneered the New Jack Swing style of R&B, which had been showcased previously in Riley's productions for Keith Sweat (I Want Her), Johnny Kemp ("Just Got Paid"), Bobby Brown ("My Prerogative") and among others. Riley infused his own unique blend of hip-hop beats, R&B progressions and the Gospel vocal stylings of Hall to create the archetypal New jack swing sound on Guy's eponymous debut. In 1989, Riley produced Big Daddy Kane's "I Get The Job Done", as well as other work for The Jacksons, The Winans, James Ingram; he also created the highly successful remix of Jane Child, "Don't Wanna Fall in Love", which became a crossover pop smash.
After the release and tour of Guy's second album The Future, Riley co-produced half of Michael Jackson's album Dangerous, on the recommendation of Jackson's long-time producer Quincy Jones. Featuring the Riley co-produced singles "Remember the Time", "Jam", and "In the Closet", Dangerous remains the most successful New jack swing album of all time with 32 million copies sold.
After the disbandment of Guy in 1992, Riley moved to production, performance on and promotion of Wreckx-N-Effect's second album Hard or Smooth. Based in Virginia by this time, Riley discovered The Neptunes who assisted production on Wreckx-N-Effect's smash hit single Rump Shaker.
In late 1992, Riley formed a second group, Blackstreet, with Chauncey Hannibal as lead singer. The group would go on to release several major hits, including "Don't Leave Me" (1997), the number one single "No Diggity" (1996, featuring Dr. Dre and Queen Pen), and "Girlfriend/Boyfriend" (1999, with Janet Jackson, Eve, and Ja Rule). By 2011, the group had disbanded and reformed several times.
In 2000, Riley worked with Spice Girl Melanie B on three tracks -- "ABC 123," "I Believe" and "Pack Your S**t" -- for her solo debut album, Hot. He also worked on an album with Outsiderz 4 Life, producing "Wil' Out" and other songs.
At the start of 2006, he was part of the New Jack Reunion Tour, featuring Blackstreet and Guy, in addition to After 7, SWV, and Tony Toni Toné. In May 2006 Riley announced that he would be working on two key projects: a new Blackstreet album and a new Guy album.
In June 2008, a fire destroyed Riley's Virginia Beach recording studio. Fire investigators said that an electrical problem caused the blaze that burned the abandoned recording studio. The Virginia Beach Fire Department said lightning in the area also could have been a factor, although there was no direct strike. The empty studio was for sale and was insured for $336,000.
In 2009, Riley performed with Guy at the BET Awards. In the same year, Riley worked with Amerie and Robin Thicke on their respective albums. Leading on from his work on Snoop Dogg's album Ego Trippin' Riley became part of the production supergroup QDT, which features DJ Quik as well as Snoop Dogg. Teddy produced and co-wrote an album track "Teeth" with Lady Gaga for her EP The Fame Monster. Speaking in March 2010 to Blues & Soul's Pete Lewis - Riley said that he was no longer affiliated with Guy (Riley last performed with the group in October 2010). Riley also said that the current line-up of Blackstreet comprised himself, Chauncey Hannibal, Dave Hollister and Sherman 'J-Stylz' Tinsdale. He confirmed that he was working on a new Blackstreet album, though intended to release his own album - entitled 'TRX' - first. Artists he could possibly be working with for the project included Stevie Wonder, Elton John, plus his own new, upcoming acts. However, Hannibal, who is no longer performing with the group and the lineup is now Riley, Dave Hollister, & returning are Mark Middleton & Eric Williams.
As of 2012 Hannibal has returned to Blackstreet again & now Mark Middleton & Eric Williams are no longer involved. The group's lineup now consists of original members Riley, Hannibal, Hollister & newest member Glenn Adams aka Lenny Harold.
In an August 2010, co-executor of the Michael Jackson estate, John Branca, confirmed that a posthumous album of Michael Jackson would be released, containing work done in the previous five years with producers Neff-U, Christopher "Tricky" Stewart and Riley himself, as well as work written and produced solely by Jackson himself. The album Michael was released on December 14, 2010 in the United States. Since the album's release, Riley has become a controversial figure in Jackson's fanbase, insisting all the songs were sung by Jackson amidst controversy that several tracks were questioned.
Adding fuel to the fire were comments made in an interview with Dan Dodds (aka Soul Jones) earlier in the year where Riley suggested that there were only elements, not fully produced songs from his work with Michael Jackson still left in the can. "They may use some elements from me, put together ideas but I haven’t been working on the new album" Riley is reported to have said. He claimed that vocal processing was done which added artifacts to Jackson's voice.
Recently, Riley has stepped into the Korean music market. Riley worked with singer/rapper Jay Park on an English track titled "Demon", which was originally meant for Michael Jackson.
Riley produced a mini album for the Korean girl group RaNia. Riley is one of the producers for Tionne "T-Boz" Watkins, new debut solo album, Still Cool, as a solo producer and as a part of QDT, with DJ Quik and Snoop Dogg. He produced the tracks "Believe" and "Flow" for the Twenty album of the R&B group Boyz II Men. He had also produced Korean girl group Girls' Generation's maxi single The Boys for the group's first international release. He has recently produced Korean/Chinese boy group EXO's prologue single "What Is Love".
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Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“Ive been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do soconcomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)