In music, the tack piano (sometimes referred to as jangle piano, junk piano or honky-tonk piano) is a permanently altered version of an ordinary piano, in which tacks or nails are placed on the felt-padded hammers of the instrument at the point where the hammers hit the strings, giving the instrument a tinny, more percussive sound. See prepared piano.
Perhaps this preparation attempts to emulate the sound of a poorly maintained piano: as the felt hammers age and compact through use they become hard and cause the piano to yield a similar sound. A piano tuner will use a tool consisting of a number of fine pins to open and loosen the striking surface of the hammers, called voicing, a precision job calling for a good ear and lots of experience.
Another method of achieving that "percussive" sound without using real tacks is through the use of lacquered hammers in the piano, like a piano popularized by Mrs. Mills which resides at Abbey Road Studios.
Read more about Tack Piano: Problems and Disadvantages
Famous quotes containing the words tack and/or piano:
“For hours, in fall days, I watched the ducks cunningly tack and veer and hold the middle of the pond, far from the sportsman;... but what beside safety they got by sailing in the middle of Walden I do not know, unless they love its water for the same reason that I do.”
—Henry David Thoreau (1817–1862)
“Film music should have the same relationship to the film drama that somebody’s piano playing in my living room has to the book I am reading.”
—Igor Stravinsky (1882–1971)