Influence
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Many later composers of the Romantic period and beyond were influenced specifically by Beethoven's Ninth Symphony.
At Easter 1831 Richard Wagner completed a piano arrangement of Beethoven's 9th symphony. Wagner had to decide which instrumental lines in the original had to be omitted since the pianist cannot play all the orchestral parts, thus giving his reduction a personal signature.
An important theme in the finale of Johannes Brahms' Symphony No. 1 in C minor is related to the "Ode to Joy" theme from the last movement of Beethoven's Ninth symphony. When this was pointed out to Brahms, he is reputed to have retorted "Any ass can see that!" Brahms's first symphony was, at times, both praised and derided as "Beethoven's Tenth".
Anton Bruckner used the chromatic fourth in his third symphony in much the same way that Beethoven used it in the first movement's coda. Bruckner also allued to the opening of the first movement in the openings of his fourth, seventh, eighth, and ninth symphonies.
Similarly, Gustav Mahler echoes the texture and mood of the first movement's opening in the opening of his first symphony.
In the opening notes of the third movement of his Symphony No. 9 (The "New World"), Antonín Dvořák pays homage to the scherzo of this symphony with his falling fourths and timpani strokes.
The church hymn, "Joyful, Joyful We Adore Thee", with words written in 1907 by Henry van Dyke, is sung to the "Ode to Joy" tune and is included in many hymnals, although not in the original key of D major.
One charming legend is that the Compact Disc was deliberately designed to have a 74-minute playing time in order to accommodate the length of Beethoven's Ninth Symphony. Kees Immink, Philips' chief engineer, who developed the CD, recalls that a commercial tug-of-war between the development partners, Sony and Philips, led to a settlement in a neutral 12-cm diameter format. The 1951 performance of the Ninth Symphony by Furtwängler was brought forward as the perfect excuse for the change.
Read more about this topic: Symphony No. 9 (Beethoven)
Famous quotes containing the word influence:
“Just what is the civil law? What neither influence can affect, nor power break, nor money corrupt: were it to be suppressed or even merely ignored or inadequately observed, no one would feel safe about anything, whether his own possessions, the inheritance he expects from his father, or the bequests he makes to his children.”
—Marcus Tullius Cicero (106–43 B.C.)
“Constitutional statutes ... which embody the settled public opinion of the people who enacted them and whom they are to govern—can always be enforced. But if they embody only the sentiments of a bare majority, pronounced under the influence of a temporary excitement, they will, if strenuously opposed, always fail of their object; nay, they are likely to injure the cause they are framed to advance.”
—Rutherford Birchard Hayes (1822–1893)
“A healthy soul stands united with the Just and the True, as the magnet arranges itself with the pole, so that he stands to all beholders like a transparent object betwixt them and the sun, and whoso journeys towards the sun, journeys towards that person. He is thus the medium of the highest influence to all who are not on the same level.”
—Ralph Waldo Emerson (1803–1882)