Symphony No. 5 (Tchaikovsky) - Structure

Structure

A typical performance of the Symphony lasts about 46 minutes. The Symphony is in four movements:

  1. Andante — Allegro con anima (E minor)
  2. Andante cantabile, con alcuna licenza — Moderato con anima — Andante mosso — Allegro non troppo — Tempo I (D major)
  3. Valse: Allegro moderato (A major)
  4. Finale: Andante maestoso — Allegro vivace — Molto vivace — Moderato assai e molto maestoso — Presto (E major → E minor → E major)

Like the Symphony No. 4, the Fifth is a cyclical symphony, with a recurring main theme. Unlike the Fourth, however, the theme is heard in all four movements, a feature Tchaikovsky had first used in the Manfred Symphony, which was completed less than two years before the Fifth. The theme has a funereal character in the first movement, but gradually transforms into a triumphant march, which dominates the final movement. Tchaikovsky was attracted to this particular theme because the topic of the Fifth Symphony is Providence, according to the composer's notebook page dated 15 April 1888, which was about one month before he began composition of the symphony. The composer stated, in describing the introduction, "a complete resignation before fate, which is the same as the inscrutable predestination of fate." The changing character of the motto over the course of the symphony seems to imply that Tchaikovsky is expressing optimism with regard to providence, an outlook that would not return in his Sixth Symphony.

Read more about this topic:  Symphony No. 5 (Tchaikovsky)

Famous quotes containing the word structure:

    I’m a Sunday School teacher, and I’ve always known that the structure of law is founded on the Christian ethic that you shall love the Lord your God and your neighbor as yourself—a very high and perfect standard. We all know the fallibility of man, and the contentions in society, as described by Reinhold Niebuhr and many others, don’t permit us to achieve perfection.
    Jimmy Carter (James Earl Carter, Jr.)

    When a house is tottering to its fall,
    The strain lies heaviest on the weakest part,
    One tiny crack throughout the structure spreads,
    And its own weight soon brings it toppling down.
    Ovid (Publius Ovidius Naso)

    A special feature of the structure of our book is the monstrous but perfectly organic part that eavesdropping plays in it.
    Vladimir Nabokov (1899–1977)