Early Operatic Career
She began her career in 1984 with a play about Maria Malibran at the Théâtre Marigny in Paris, performing excerpts from operas like Semiramide and Norma (also available as DVD). Soon after, Mstislav Rostropovich and Galina Vishnevskaya asked her to perform the title role in their production of Nikolai Rimsky-Korsakov's The Tsar's Bride at the Rome Opera.
In 1987, she sang her first Mozart opera, performing the role of Fiordiligi in Così fan tutte. Other roles during this stage of her career included Mimi in La Bohème, Tosca in Tosca, Magda in La rondine, Violetta in La traviata, Norma in Norma, Leonore in Fidelio, Manon in Manon Lescaut, Thaïs in Thaïs, Adina in L'elisir d'amore, Liù in Turandot, the Infante in Der Zwerg (or The Infante's Birthday) by Zemlinsky, La Voix humaine by Poulenc and more. In 1994, she was performing in major Italian houses in works like La Voix humaine (Trieste, Genova, Naples), Cavalleria rusticana (Trieste, Bologna), L'heure espagnole and Il segreto di Susanna (Opera of Trieste).
In 1995, in a production touring through the Netherlands, she debuted in the part of Lady Macbeth, later one of her signature parts.
Read more about this topic: Sylvie Valayre
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“You have promise, Mlle. Dubois, but you must choose between an operatic career and what is usually called “a normal life.” Though why it is so called is beyond me.”
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“You have promise, Mlle. Dubois, but you must choose between an operatic career and what is usually called “a normal life.” Though why it is so called is beyond me.”
—Eric Taylor, Leroux, and Arthur Lubin. M. Villeneuve (Frank Puglia)
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