Work
Early in her career she researched 15th and 16th century music, and spent ten years as one of the editors of the substantial Tudor Church Music, published by Oxford University Press. In 1934 she published a joint collection of poems with Valentine Ackland entitled Whether a Dove or a Seagull.
Her novels were Lolly Willowes (1926), Mr Fortune's Maggot (1927), The True Heart (1929), Summer Will Show (1936), After the Death of Don Juan (1938), The Corner That Held Them (1948), The Flint Anchor (1954). Recurring themes are evident in a number of her works. These include a rejection of Christianity (in Mr Fortune's Maggot, and in Lolly Willowes, where the protagonist becomes a witch); the position of women in patriarchal societies (Lolly Willowes, Summer Will Show, The Corner that Held Them); ambiguous sexuality, or bisexuality (Lolly Willowes, Mr Fortune's Maggot, Summer Will Show); and lyrical descriptions of landscape.
Her short stories include the collections A Moral Ending and Other Stories, The Salutation, More Joy in Heaven, The Cat's Cradle Book, A Garland of Straw, The Museum of Cheats. Winter in the Air, A Spirit Rises, A Stranger with a Bag, The Innocent and the Guilty, and One Thing Leading to Another. Her final work was a series of linked short stories set in the supernatural Kingdoms of Elfin.
In addition to fiction, Warner published a biography of the novelist T.H. White, which The New York Times declared "a small masterpiece which may well be read long after the writings of its subject have been forgotten." Although Townsend never wrote an autobiography, Scenes of Childhood was compiled after her death from short reminiscences published over the years in the New Yorker. She also translated Contre Saint-Beuve by Marcel Proust from the original French into English.
In the 1970s, she became known as a significant writer of feminist or lesbian sentiment, and her novels were among the earlier ones to be revived by Virago Press. Selected letters of Warner and Valentine Ackland have been published twice: Wendy Mulford edited a collection titled This Narrow Place in 1988, and ten years later Susanna Pinney published another selection under the title Jealousy in Connecticut.
Read more about this topic: Sylvia Townsend Warner
Famous quotes containing the word work:
“The Taylor and the Painter often contribute to the Success of a Tragedy more than the Poet. Scenes affect ordinary Minds as much as Speeches; and our Actors are very sensible, that a well-dressed Play has sometimes brought them as full Audiences, as a well-written one.... But however the Show and Outside of the Tragedy may work upon the Vulgar, the more understanding Part of the Audience immediately see through it, and despise it.”
—Joseph Addison (1672–1719)
“I was at work that morning. Someone came riding like mad
Over the bridge and up the road—Farmer Rouf’s little lad.
Bareback he rode; he had no hat; he hardly stopped to say,
“Morgan’s men are coming, Frau, they’re galloping on this way.”
—Constance Fenimore Woolson (1840–1894)
“There is a hearty Puritanism in the view of human nature which pervades the instrument of 1787. It is the work of men who believed in original sin, and were resolved to leave open for transgressors no door which they could possibly shut.”
—James Bryce (1838–1922)