In Other Media
Sylvester appears in the Robot Chicken episode "Werewolf VS Unicorn" voiced by Patrick Pinney. During Arnold Schwarzenegger’s announcement of illegal aliens from Mexico, Sylvester demonstrates a wired fence that will keep the aliens out, only for it to be penetrated by Speedy Gonzales.
Sylvester makes a cameo appearance in Who Framed Roger Rabbit, where he provides the punchline for a double-entendre joke regarding Judge Doom's (Christopher Lloyd) identity. Sylvester appears as part of the TuneSquad team in Space Jam, bearing the number 9 on his jersey. He also has two cameo appearances in Looney Tunes: Back in Action, but the second time, "Sylvester" is really Mr. Smith in disguise.
In a Family Guy episode, Peter made up his American version of Speedy Gonzales called Rapid Dave after he decided that immigrants shouldn't be allowed into America. Sylvester appeared in the cartoon with Dave that Peter made, and tried to catch him.
In the My Life as a Teenage Robot episode "Bradventure" Jenny and Brad accidentally capture Sylvester and Snagglepuss.
A baby version of Sylvester is part of the title cast of characters in Baby Looney Tunes.
Sylvester is featured in The Looney Tunes Show voiced by Jeff Bergman. He is shown living with Granny alongside Tweety. In "Point, Laser Point," it is revealed that Sylvester was attracted by a glowing red dot that was on his mother's necklace when he was young as experienced through hypnotic therapy done by Witch Lezah. It was also revealed that his mother (voiced by Estelle Harris) has retired to Miami (with Sylvester's mother being disappointed that Sylvester never kept wearing the retainer, never remembered where she lives in Miami, and has not caught Tweety yet). This episode also introduced Sylvester's brother Alan (voiced by Jeff Bennett).
In the Mad segment "Dinosaurs with bird effects", Sylvester appeared as a saber-toothed cat and Tweety appeared as a dinosaur.
Read more about this topic: Sylvester (Looney Tunes)
Famous quotes containing the word media:
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)