Syllabic Verse - Overview

Overview

Many European languages have significant syllabic verse traditions, notably Italian, Spanish, French, and the Baltic and Slavic languages. These traditions often permeate both folk and literary verse, and have evolved gradually over hundreds or thousands of years; in a sense the metrical tradition is older than the languages themselves, since it (like the languages) descended from Proto-Indo-European.

It is often implied — but it is not true — that word stress plays no part in the syllabic prosody of these languages. Indeed in most of these languages word stress is much less prominent than it is in, say, English or German; nonetheless it is present both in the language and in the meter. Very broadly speaking, syllabic meters in these languages follow the same pattern:

1. Line length: The line is defined by the number of syllables it contains.
2. Hemistich length: All but the shortest lines are divided into part-lines (hemistichs); each hemistich also contains a specific number of syllables, and ends with a word-boundary (this means that the hemistich cannot end in the middle of a word).
3. Hemistich markers: The ends of the hemistichs are marked and contrasted by an obligatory stress: a specific syllable position near the end of each hemistich must be filled by a stressed syllable, and this position typically differs between the first and second hemistich, so that they are audibly distinct.
4. Marker reinforcement: Often the syllables immediately before or after the obligatory stresses are obligatorily unstressed to further emphasize the stress.
5. Other structure: Further rules may be imposed, such as additional word-boundary constraints on certain syllabic positions, or allowances for extrametrical syllables; and further interlinear structure may be present (such as rhyme and stanza).

Linguistically, the most significant exceptions to this pattern are in Latvian, Lithuanian, and Serbian verse which, instead of stress, retain the older quantitative markers; that is, they use long and short syllables at the ends of hemistichs, rather than stressed and unstressed.

Because all of these variables — line length, number and length of hemistichs, obligatory stress positions, etc. — differ in detail among various verse traditions; and because the individual languages supply words with different rhythmic characteristics; this basic metrical template is realized with great variety by the languages that use it, and a sequence of syllables that is metrical in one verse tradition will typically not fit in another.