Stands
In its present configuration, the SCG is a playing field surrounded by a collection of separate grandstand structures. From the northern end, clockwise, they are:
- M. A. Noble Stand – Built 1936, Demolished 2012 – Members seating, it was also used for general public admission during events with low attendance.
- Bradman Stand – Built 1973, Demolished 2012 – Public reserved seating.
- Dally Messenger Stand -Demolished 2012 – General admission.
- Bill O'Reilly Stand (previously named Pat Hills Stand) – Built 1984 – Corporate boxes and public reserved seating.
- Victor Trumper Stand – Constructed in 2007/2008, replaced Yabba's Hill and Doug Walters Stand, corporate boxes and public reserved seating.
- Clive Churchill Stand – Built 1986 – Corporate boxes and public reserved seating.
- Brewongle Stand – Built 1980 – Corporate boxes and public reserved seating.
- Ladies' Stand – Built 1896 – Members seating, also used for general public admission during events with low attendance.
- Members' Stand – Built 1878 – Members seating.
Read more about this topic: Sydney Cricket Ground
Famous quotes containing the word stands:
“In the cold morning the rested street stands up
To greet the clerk who saunters down the world.”
—Allen Tate (1899–1979)
“As I stand over the insect crawling amid the pine needles on the forest floor, and endeavoring to conceal itself from my sight, and ask myself why it will cherish those humble thoughts, and hide its head from me who might, perhaps, be its benefactor, and impart to its race some cheering information, I am reminded of the greater Benefactor and Intelligence that stands over me the human insect.”
—Henry David Thoreau (1817–1862)
“Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness, to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.”
—Ralph Waldo Emerson (1803–1882)