Exhibits
The Sydney Aquarium is split into the following exhibit areas and highlights:
- Southern Rivers
- Platypus habitat
- Murray-Darling river system
- Northern Rivers
- Saltwater Crocodile
- Barramundi
- Mermaid Lagoon
- Dugong exhibit
- Southern Ocean
- Little Penguins habitat
- Sydney Harbour
- Open Ocean Oceanarium
- Northern Ocean
- Great Barrier Reef Oceanarium
The Sydney Aquarium has distinctly Australian themes and exhibits, which take visitors through the continent's waterways and marine ecosystems. Exhibits cover the rivers of Australia, exploring the Southern and Northern River habitats, as well as the oceans of Australia, through the Southern and Northern Ocean habitats. The complex and fragile nature of Australia's very different and unique aquatic environments is emphasised.
Some of the displays are housed in the main exhibit hall and others are housed in floating oceanariums. The Seal Sanctuary and Open Ocean exhibits comprise two massive oceanariums, amongst the largest in the world, and have underwater tunnels allowing visitors to examine marine life at close quarters. In the Open Ocean Oceanarium, Sydney Aquarium houses the largest collection of sharks in captivity. Some of the sharks weigh up to 300 kilograms (660 lb) and are over 3 metres (9.8 ft) in length.
Read more about this topic: Sydney Aquarium
Famous quotes containing the word exhibits:
“After all the field of battle possesses many advantages over the drawing-room. There at least is no room for pretension or excessive ceremony, no shaking of hands or rubbing of noses, which make one doubt your sincerity, but hearty as well as hard hand-play. It at least exhibits one of the faces of humanity, the former only a mask.”
—Henry David Thoreau (1817–1862)
“Uncritical semantics is the myth of a museum in which the exhibits are meanings and the words are labels. To switch languages is to change the labels.”
—Willard Van Orman Quine (b. 1908)
“Every woman who visited the Fair made it the center of her orbit. Here was a structure designed by a woman, decorated by women, managed by women, filled with the work of women. Thousands discovered women were not only doing something, but had been working seriously for many generations ... [ellipsis in source] Many of the exhibits were admirable, but if others failed to satisfy experts, what of it?”
—Kate Field (1838–1908)