Sybille Bedford - Works

Works

  • The Sudden View: a Mexican Journey - 1953 - (republished as A Visit to Don Otavio: a Traveller's Tale from Mexico, a travelogue)
  • A Legacy: A Novel - 1956 - her first novel, a work inspired by the early life of the author's father, which focuses on the brutality and anti-Semitism in the cadet schools of the German officer class.
  • The Best We Can Do: (The Trial of Dr Adams) - 1958 - an account of the murder trial of suspected serial killer John Bodkin Adams
  • The Faces of Justice: A Traveller's report - 1961 - a description of the legal systems of England, Germany, Switzerland, and France.
  • A Favourite of the Gods - 1963 - a novel about an American heiress who marries a Roman Prince
  • A Compass Error - 1968 - a sequel to the above, describing the love affairs of the granddaughter of that work's protagonist
  • Aldous Huxley: A biography - 1973 - the standard, authorized biography of Huxley
  • Jigsaw: An Unsentimental Education - 1989 - a sort of followup to A Legacy, this novel was inspired by the author's experiences living in Italy and France with her mother
  • As It Was: Pleasures, Landscapes and Justice - 1990 - a collection of magazine pieces on various trials, including the censorship of Lady Chatterley's Lover, the trial of Jack Ruby, and the Auschwitz trial, as well as pieces on food and travel.
  • Pleasures and Landscapes: A Traveller's Tales from Europe - a reissue of the above, removing the legal writings, and including two additional travel essays.
  • Quicksands: A Memoir - 2005 - A memoir of the author's life, from her childhood in Berlin to her experiences in postwar Europe.

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Famous quotes containing the word works:

    “The appetite of workers works for them; their hunger urges them on.”
    —Bible: Hebrew, Proverbs 16:26.

    “We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.”
    —D.W. (David Wark)

    “We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
    —Clive Bell (1881–1962)