Creation and Recording
At a band practice shortly after bassist Ed King had switched to guitar, King heard fellow guitarist Gary Rossington playing a guitar riff that inspired him (in fact, this riff is still heard in the final version of the song and is played during the verses as a counterpoint to the main D-C+9-G chord progression). In interviews, Ed King has said that, during the night following the practice session, the chords and two main guitar solos came to him in a dream, note for note. King then introduced the song to the band the next day. Also written at this session was the track that followed "Sweet Home Alabama" on the Second Helping album, "I Need You".
A live version of the track on the compilation album Collectybles places the writing of the song during the late summer of 1973, as the live set available on the album is dated October 30, 1973.
The track was recorded at Studio One in Doraville, Georgia, using just King, bassist Wilkeson, and drummer Burns to lay down the basic backing track. Ed King used a Marshall amp belonging to Allen Collins. The guitar used on the track was a 1972 Fender Stratocaster. However, King has said that the guitar was a pretty poor model and had bad pickups, forcing him to turn the amp up all the way to get decent volume out of it. This guitar is now displayed at the Rock and Roll Hall of Fame Museum in Cleveland, Ohio.
The famous "Turn it up" line uttered by Ronnie Van Zant in the beginning was not intended to be in the song. Van Zant was simply asking producer Al Kooper and engineer Rodney Mills to turn up the volume in his headphones so that he could hear the track better.
There is a semi-hidden vocal line in the second verse after the "Well, I heard Mr. Young sing about her" line. In the left channel, you can hear the phrase "Southern Man" being sung lightly (at approximately 0:55). This was producer Al Kooper doing a Neil Young impression and was just another incident of the band members messing around in the studio while being recorded. According to Leon Wilkeson, it was Kooper's idea to continue and echo the lines from "Southern Man" after each of Van Zant's lines. "Better...keep your head"..."Don't forget what your / good book says", etc. But Van Zant insisted that Kooper remove it, not wanting to plagiarize or upset Young. Kooper left the one line barely audible in the left channel.
Following the two "woos" (Leon's the first, Ed's the second) at the start of the piano solo (at approximately 4:08), Van Zant can be heard ad-libbing "My, Montgomery's got the answer." The duplicate "my" was produced by Kooper turning off one of the two vocal takes. For Lynyrd Skynyrd's 1976 film Free Bird, this final line was changed to "Mr. (Jimmy) Carter got the answer." in a reference to the 1976 Presidential Election. While this line has many variation and was commonly sung as " My Montgomery's got the answer" in the original recording the line was "Ma and Pop Stoneman got the answer" Referring to Hattie Stoneman and Earnest Van Stoneman better known as Ma and Pop Stoneman of the Bluegrass/Country music group and a TV show of the same name "The Stoneman Family".
The count-in heard in the beginning of the track is spoken by Ed King. The count-in to the first song on an album was a signature touch that producer Kooper usually put on albums that he made.
"Sweet Home Alabama" was a major chart hit for a band whose previous singles had "lazily sauntered out into release with no particular intent". The hit led to two TV rock-show offers, which the band turned down. In addition to the original appearance on Second Helping, the song has appeared on numerous Lynyrd Skynyrd collections and live albums.
None of the three writers of the song were originally from Alabama. Ronnie Van Zant and Gary Rossington were both born in Jacksonville, Florida. Ed King was from Glendale, California.
Read more about this topic: Sweet Home Alabama
Famous quotes containing the words creation and/or recording:
“Some collaboration has to take place in the mind between the woman and the man before the art of creation can be accomplished. Some marriage of opposites has to be consummated. The whole of the mind must lie wide open if we are to get the sense that the writer is communicating his experience with perfect fullness.”
—Virginia Woolf (18821941)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 18801964)