Swedish Chef - Character

Character

A parody of television chefs, the Swedish Chef wears a toque blanche and has bushy eyebrows that completely obscure his eyes. He was one of the few Muppets to employ an actual puppeteer's hands, originally Oz's, in the designs – that is, they were visible to the audience through his sleeves and facilitated handling food and utensils.

Nearly all Swedish Chef sketches begin with him in a kitchen, waving some utensils while singing his signature song in his typical mock Swedish – a semi-comprehensible gibberish mimicking Swedish phonology and prosody. The song's lyrics vary slightly from one episode to the next, but always end with "Bork, bork, bork!" as the Chef throws the utensils (or whatever else may be in his hands) aside with a clatter that seems to startle him.

After this introduction, the Chef begins to prepare a recipe while giving a gibberish explanation of what he is doing. His commentary is spiced with the occasional English word to clue in the viewer to what he is attempting; for example, "Aweenda shmure da froog's legs." These hints are necessary as he frequently uses unorthodox culinary equipment (firearms, sports equipment, hand tools, etc.) to prepare his dishes. In the pilot episode of The Muppet Show, the Chef's commentary was supplemented by Chinese subtitles, but this was abandoned for all other episodes of the series. The sketch typically degenerates into a slapstick finale where the ingredients or equipment get the better of him.

In one sketch, a misaimed explosive charge slightly damaged the face of the puppet. The Chef's face remained scarred through the rest of the season.

The Chef is referred to by name in one episode, in which Danny Kaye plays his uncle. Kaye reels off a very long name but adds, "But we call him Tom" – much to the Chef's amusement. In 2010, the Chef was seen wearing a wedding ring, implying that the character is married.

Read more about this topic:  Swedish Chef

Famous quotes containing the word character:

    We now demand the light artillery of the intellect; we need the curt, the condensed, the pointed, the readily diffused—in place of the verbose, the detailed, the voluminous, the inaccessible. On the other hand, the lightness of the artillery should not degenerate into pop-gunnery—by which term we may designate the character of the greater portion of the newspaper press—their sole legitimate object being the discussion of ephemeral matters in an ephemeral manner.
    Edgar Allan Poe (1809–1845)

    One never gets to know a person’s character better than by watching his behavior during decisive moments.... It is always only danger which forces the most deeply hidden strengths and abilities of a human being to come forth.
    Stefan Zweig (18811942)

    A person of definite character and purpose who comprehends our way of thought is sure to exert power over us. He cannot altogether be resisted; because, if he understands us, he can make us understand him, through the word, the look, or other symbol, which both of us connect with the common sentiment or idea; and thus by communicating an impulse he can move the will.
    Charles Horton Cooley (1864–1929)