Character
A parody of television chefs, the Swedish Chef wears a toque blanche and has bushy eyebrows that completely obscure his eyes. He was one of the few Muppets to employ an actual puppeteer's hands, originally Oz's, in the designs – that is, they were visible to the audience through his sleeves and facilitated handling food and utensils.
Nearly all Swedish Chef sketches begin with him in a kitchen, waving some utensils while singing his signature song in his typical mock Swedish – a semi-comprehensible gibberish mimicking Swedish phonology and prosody. The song's lyrics vary slightly from one episode to the next, but always end with "Bork, bork, bork!" as the Chef throws the utensils (or whatever else may be in his hands) aside with a clatter that seems to startle him.
After this introduction, the Chef begins to prepare a recipe while giving a gibberish explanation of what he is doing. His commentary is spiced with the occasional English word to clue in the viewer to what he is attempting; for example, "Aweenda shmure da froog's legs." These hints are necessary as he frequently uses unorthodox culinary equipment (firearms, sports equipment, hand tools, etc.) to prepare his dishes. In the pilot episode of The Muppet Show, the Chef's commentary was supplemented by Chinese subtitles, but this was abandoned for all other episodes of the series. The sketch typically degenerates into a slapstick finale where the ingredients or equipment get the better of him.
In one sketch, a misaimed explosive charge slightly damaged the face of the puppet. The Chef's face remained scarred through the rest of the season.
The Chef is referred to by name in one episode, in which Danny Kaye plays his uncle. Kaye reels off a very long name but adds, "But we call him Tom" – much to the Chef's amusement. In 2010, the Chef was seen wearing a wedding ring, implying that the character is married.
Read more about this topic: Swedish Chef
Famous quotes containing the word character:
“Crime seems to change character when it crosses a bridge or a tunnel. In the city, crime is taken as emblematic of class and race. In the suburbs, though, its intimate and psychologicalresistant to generalization, a mystery of the individual soul.”
—Barbara Ehrenreich (b. 1941)
“We have good reason to believe that memories of early childhood do not persist in consciousness because of the absence or fragmentary character of language covering this period. Words serve as fixatives for mental images. . . . Even at the end of the second year of life when word tags exist for a number of objects in the childs life, these words are discrete and do not yet bind together the parts of an experience or organize them in a way that can produce a coherent memory.”
—Selma H. Fraiberg (20th century)
“When a mans feeling and character are injured, he ought to seek a speedy redress.... My character you have injured, and further you have insulted me in the presence of a court and large audience. I therefore call upon you as a gentleman to give me satisfaction for the same.”
—Andrew Jackson (17671845)