Swedish Chef - Character

Character

A parody of television chefs, the Swedish Chef wears a toque blanche and has bushy eyebrows that completely obscure his eyes. He was one of the few Muppets to employ an actual puppeteer's hands, originally Oz's, in the designs – that is, they were visible to the audience through his sleeves and facilitated handling food and utensils.

Nearly all Swedish Chef sketches begin with him in a kitchen, waving some utensils while singing his signature song in his typical mock Swedish – a semi-comprehensible gibberish mimicking Swedish phonology and prosody. The song's lyrics vary slightly from one episode to the next, but always end with "Bork, bork, bork!" as the Chef throws the utensils (or whatever else may be in his hands) aside with a clatter that seems to startle him.

After this introduction, the Chef begins to prepare a recipe while giving a gibberish explanation of what he is doing. His commentary is spiced with the occasional English word to clue in the viewer to what he is attempting; for example, "Aweenda shmure da froog's legs." These hints are necessary as he frequently uses unorthodox culinary equipment (firearms, sports equipment, hand tools, etc.) to prepare his dishes. In the pilot episode of The Muppet Show, the Chef's commentary was supplemented by Chinese subtitles, but this was abandoned for all other episodes of the series. The sketch typically degenerates into a slapstick finale where the ingredients or equipment get the better of him.

In one sketch, a misaimed explosive charge slightly damaged the face of the puppet. The Chef's face remained scarred through the rest of the season.

The Chef is referred to by name in one episode, in which Danny Kaye plays his uncle. Kaye reels off a very long name but adds, "But we call him Tom" – much to the Chef's amusement. In 2010, the Chef was seen wearing a wedding ring, implying that the character is married.

Read more about this topic:  Swedish Chef

Famous quotes containing the word character:

    Innocence is lovely in the child, because in harmony with its nature; but our path in life is not backward but onward, and virtue can never be the offspring of mere innocence. If we are to progress in the knowledge of good, we must also progress in the knowledge of evil. Every experience of evil brings its own temptation and according to the degree in which the evil is recognized and the temptations resisted, will be the value of the character into which the individual will develop.
    Mrs. H. O. Ward (1824–1899)

    The first thing to be done by a biographer in estimating character is to examine the stubs of his victim’s cheque-books.
    Silas Weir Mitchell (1829–1914)

    She [Evelina] is a little angel!... Her face and person answer my most refined ideas of complete beauty.... She has the same gentleness in her manners, the same natural graces in her motions, that I formerly so much admired in her mother. Her character seems truly ingenuous and simple; and at the same time that nature has blessed her with an excellent understanding and great quickness of parts, she has a certain air of inexperience and innocency that is extremely interesting.
    Frances Burney (1752–1840)