Swan Song - Origin and Description

Origin and Description

The earliest known reference to the idea that swans sing one beautiful song before dying first appears in Aeschylus' Agamemnon from 458 BC. In the play, Clytemnestra compares the dead Cassandra to a swan who has "sung her last final lament". Plato's Phaedo records Socrates saying that, although swans sing in early life, they do not do so as beautifully as before they die. By the third century BC the belief had become a proverb. The English phrase "swan song" or "swan-song" dates to the 19th century, and entered the language from the German Schwanen(ge)sang and Schwanenlied.

In reality, Mute Swans are not actually mute during life – they hiss – and they do not sing as they die. This folktale has been contested ever since antiquity: in 77 AD, Pliny the Elder provides the first surviving refutation in Natural History (book 10, chapter xxxii: olorum morte narratur flebilis cantus, falso, ut arbitror, aliquot experimentis), stating: "observation shows that the story that the dying swan sings is false." Peterson et al. note that Cygnus olor is "not mute but lacks bugling call, merely honking, grunting, and hissing on occasion."

Nevertheless, the folktale has remained so appealing that over the centuries it has continued to appear in various artistic works. Aesop's fable of "The Swan Mistaken for a Goose" alludes to it: "The swan, who had been caught by mistake instead of the goose, began to sing as a prelude to its own demise. His voice was recognized and the song saved his life." Ovid mentions it in "The Story of Picus and Canens": "There, she poured out her words of grief, tearfully, in faint tones, in harmony with sadness, just as the swan sings once, in dying, its own funeral song."

Chaucer wrote of "The Ialous swan, ayens his deth that singeth." In Shakespeare's The Merchant of Venice, Portia exclaims "Let music sound while he doth make his choice; Then, if he lose, he makes a swan-like end, Fading in music."

The well-known Orlando Gibbons madrigal "The Silver Swan" states the legend thus:

Samuel Taylor Coleridge made comic use of this legend when he quipped ironically:

Tennyson's poem "The Dying Swan" is a poetic evocation of the beauty of the supposed song and so full of detail as to imply that he had actually heard it:

Finnish composer Jean Sibelius's tone poem The Swan of Tuonela in a famous solo, uses a cor anglais to play the dying song of the legendary swan of Tuonela.