Repertoire
As Richter once put it, "My repertory runs to around eighty different programs, not counting chamber works." His repertoire ranged from Handel and Bach to Szymanowski, Berg, Webern, Stravinsky, Bartók, Hindemith, Britten, and Gershwin.
It is instructive to note the works he did not play: they include Bach's Goldberg Variations, Beethoven's Waldstein and Moonlight sonatas and Fourth and Fifth piano concertos, Schubert's A-major sonata D. 959, Prokofiev's Third piano concerto, Chopin's first piano concerto and second sonata and Rachmaninoff's Piano Concerto No. 3.
Richter worked tirelessly to learn new pieces. For instance, in the late 1980s, he learned Brahms's Paganini and Handel Variations, and in the 1990s, several of Debussy's études and Gershwin, and works by Bach and Mozart that he had not previously included in his programs.
Central to his repertoire were the works of Schubert, Schumann, Beethoven, J. S. Bach, Chopin, Liszt, Prokofiev and Debussy. He is said to have learned the second book of Bach's The Well-Tempered Clavier by heart in one month.
He gave the premiere of Prokofiev's Sonata No. 7, which he learned in four days, and No. 9, which Prokofiev dedicated to Richter. Apart from his solo career, he also performed chamber music with partners such as Mstislav Rostropovich, Rudolf Barshai, David Oistrakh, Oleg Kagan, Yuri Bashmet, Natalia Gutman, Zoltán Kocsis, Elisabeth Leonskaja, Benjamin Britten and members of the Borodin Quartet. Richter also often accompanied singers such as Dietrich Fischer-Dieskau, Peter Schreier, Galina Pisarenko and his long-time companion Nina Dorliak.
Richter also conducted the premiere of Prokofiev's Symphony-Concerto for cello and orchestra. This was his sole appearance as a conductor. The soloist was Rostropovich, to whom the work was dedicated. Prokofiev also wrote his 1949 Cello Sonata in C for Rostropovich, and he and Richter premiered it in 1950. Richter himself was a passable cellist, and Rostropovich was a good pianist; at one concert in Moscow at which he accompanied Rostropovich on the piano, they exchanged instruments for part of the program.
Read more about this topic: Sviatoslav Richter
Famous quotes containing the word repertoire:
“For good teaching rests neither in accumulating a shelfful of knowledge nor in developing a repertoire of skills. In the end, good teaching lies in a willingness to attend and care for what happens in our students, ourselves, and the space between us. Good teaching is a certain kind of stance, I think. It is a stance of receptivity, of attunement, of listening.”
—Laurent A. Daloz (20th century)
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