Sutton Hoo - The Objects in The Burial Chamber

The Objects in The Burial Chamber

David M. Wilson has remarked that the metal artworks found in the Sutton Hoo graves were "work of the highest quality, not only in English but in European terms".

Sutton Hoo is a cornerstone of the study of art in Britain in the 6th–9th centuries. George Henderson has described the ship treasures as "the first proven hothouse for the incubation of the Insular style". The gold and garnet fittings show the creative fusion of earlier techniques and motifs by a master goldsmith. Insular art drew upon Irish, Pictish, Anglo-Saxon, native British and Mediterranean artistic sources: the 7th-century Book of Durrow owes as much to Pictish sculpture, British millefiori and enamelwork and Anglo-Saxon cloisonné metalwork as it does to Irish art. The Sutton Hoo treasures represent a continuum from pre-Christian royal accumulation of precious objects from diverse cultural sources, through to the art of gospel books, shrines and liturgical or dynastic objects.

Read more about this topic:  Sutton Hoo

Famous quotes containing the words objects, burial and/or chamber:

    Though collecting quotations could be considered as merely an ironic mimetism—victimless collecting, as it were ... in a world that is well on its way to becoming one vast quarry, the collector becomes someone engaged in a pious work of salvage. The course of modern history having already sapped the traditions and shattered the living wholes in which precious objects once found their place, the collector may now in good conscience go about excavating the choicer, more emblematic fragments.
    Susan Sontag (b. 1933)

    I heard the bell tolled on thy burial day,
    I saw the hearse that bore thee slow away,
    And, turning from my nursery window, drew
    A long, long sigh, and wept a last adieu!
    William Cowper (1731–1800)

    But it is the same thing we are all seeing,
    Our world. Go after it,
    Go get it boy, says the man holding the stick.
    Eat, says the hunger, and we plunge blindly in again,
    Into the chamber behind the thought.
    John Ashbery (b. 1927)