Sutton Hoo - Exhibition

Exhibition

The ship-burial treasure was presented to the nation by the owner, Mrs Pretty, and was at the time the largest gift made to the British Museum by a living donor. The principal items are now permanently on display at the British Museum. A display of the original finds excavated in 1938 from Mounds 2, 3 and 4, and replicas of the most important items from Mound 1, can be seen at the Ipswich Museum.

In the 1990s, the Sutton Hoo site, including Sutton Hoo House, was given to the National Trust by the Trustees of the Annie Tranmer Trust. At Sutton Hoo's visitor centre and Exhibition Hall, the newly found hanging bowl and the Bromeswell Bucket, finds from the equestrian grave and a recreation of the burial chamber and its contents can be seen.

The 2001 Visitor Centre was designed by van Heyningen and Haward Architects for the National Trust and involved the overall planning of the estate, the design of an exhibition hall and visitor facilities, car parking and the restoration of a fine Edwardian house to provide additional facilities.

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Famous quotes containing the word exhibition:

    The hardiest skeptic who has seen a horse broken, a pointer trained, or has visited a menagerie or the exhibition of the Industrious Fleas, will not deny the validity of education. “A boy,” says Plato, “is the most vicious of all beasts;” and in the same spirit the old English poet Gascoigne says, “A boy is better unborn than untaught.”
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    Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children’s play, or as manifestation of the end or goal of work, as in “playing” chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.
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    A man’s thinking goes on within his consciousness in a seclusion in comparison with which any physical seclusion is an exhibition to public view.
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