The movement of liquid down a vertical surface is, as the name suggests, a technique, invented by surrealists from Romania and said by them to be surautomatic and a form of indecipherable writing, of making pictures by dripping or allowing a flow of some form of liquid down a vertical surface.
Read more about this topic: Surrealist Techniques
Famous quotes containing the words movement of, movement, liquid, vertical and/or surface:
“What new thoughts are suggested by seeing a face of country quite familiar, in the rapid movement of the rail-road car!”
—Ralph Waldo Emerson (1803–1882)
“For what we call illusions are often, in truth, a wider vision of past and present realities—a willing movement of a man’s soul with the larger sweep of the world’s forces—a movement towards a more assured end than the chances of a single life.”
—George Eliot [Mary Ann (or Marian)
“While the State becomes inflated and hypertrophied in order to obtain a firm enough grip upon individuals, but without succeeding, the latter, without mutual relationships, tumble over one another like so many liquid molecules, encountering no central energy to retain, fix and organize them.”
—Emile Durkheim (1858–1917)
“In bourgeois society, the French and the industrial revolution transformed the authorization of political space. The political revolution put an end to the formalized hierarchy of the ancien regimé.... Concurrently, the industrial revolution subverted the social hierarchy upon which the old political space was based. It transformed the experience of society from one of vertical hierarchy to one of horizontal class stratification.”
—Donald M. Lowe, U.S. historian, educator. History of Bourgeois Perception, ch. 4, University of Chicago Press (1982)
“And yet we constantly reclaim some part of that primal spontaneity through the youngest among us, not only through their sorrow and anger but simply through everyday discoveries, life unwrapped. To see a child touch the piano keys for the first time, to watch a small body slice through the surface of the water in a clean dive, is to experience the shock, not of the new, but of the familiar revisited as though it were strange and wonderful.”
—Anna Quindlen (b. 1952)