An echo poem is a poem written using a technique invented by Aurélien Dauguet in 1972. The poem is composed by one or more persons, working together in a process as follows.
The first "stanza" of the poem is written on the left-hand column of a piece of paper divided into two columns. Then the "opposite", or 'echo', of the first stanza, in whatever sense is appropriate to the poem, is composed in the right-hand column of the page. The writing is done automatically and often the "opposite" stanza is composed of a phonetic correspondence to the first stanza.
For a longer work, the third stanza can then begin in the left-hand column as an "opposite" or a phonetic correspondence to what preceded it in the right-hand column. Then the fourth stanza might be an "opposite" or sound correspondence to what preceded it in the left-hand column, and so forth. When the poem is completed, the echo of the last phrase, line, or sentence, generally serves as the title.
This is unrelated to the non-Surrealist echo verse form which appears as a dialogue between the questions of a character and the answers of the nymph Echo.
Read more about this topic: Surrealist Techniques
Famous quotes containing the words echo and/or poem:
“I cease my song for thee,
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous with silver face in the night.
Yet each to keep and all, retrievements out of the night,
The song, the wondrous chant of the grey-brown bird,
And the tallying chant, the echo aroused in my soul,
With the lustrous and drooping star with the countenance full of woe,”
—Walt Whitman (1819–1892)
“The poem refreshes life so that we share,
For a moment, the first idea . . . It satisfies
Belief in an immaculate beginning
And sends us, winged by an unconscious will,
To an immaculate end. We move between these points:
From that ever-early candor to its late plural....”
—Wallace Stevens (1879–1955)