An echo poem is a poem written using a technique invented by Aurélien Dauguet in 1972. The poem is composed by one or more persons, working together in a process as follows.
The first "stanza" of the poem is written on the left-hand column of a piece of paper divided into two columns. Then the "opposite", or 'echo', of the first stanza, in whatever sense is appropriate to the poem, is composed in the right-hand column of the page. The writing is done automatically and often the "opposite" stanza is composed of a phonetic correspondence to the first stanza.
For a longer work, the third stanza can then begin in the left-hand column as an "opposite" or a phonetic correspondence to what preceded it in the right-hand column. Then the fourth stanza might be an "opposite" or sound correspondence to what preceded it in the left-hand column, and so forth. When the poem is completed, the echo of the last phrase, line, or sentence, generally serves as the title.
This is unrelated to the non-Surrealist echo verse form which appears as a dialogue between the questions of a character and the answers of the nymph Echo.
Read more about this topic: Surrealist Techniques
Famous quotes containing the words echo and/or poem:
“Bondage is hoarse and may not speak aloud,
Else would I tear the cave where Echo lies
And make her airy tongue more hoarse than mine
With repetition of “My Romeo!””
—William Shakespeare (1564–1616)
“The poem goes from the poet’s gibberish to
The gibberish of the vulgate and back again.
Does it move to and fro or is it of both
At once? Is it a luminous flittering
Or the concentration of a cloudy day?”
—Wallace Stevens (1879–1955)