An echo poem is a poem written using a technique invented by Aurélien Dauguet in 1972. The poem is composed by one or more persons, working together in a process as follows.
The first "stanza" of the poem is written on the left-hand column of a piece of paper divided into two columns. Then the "opposite", or 'echo', of the first stanza, in whatever sense is appropriate to the poem, is composed in the right-hand column of the page. The writing is done automatically and often the "opposite" stanza is composed of a phonetic correspondence to the first stanza.
For a longer work, the third stanza can then begin in the left-hand column as an "opposite" or a phonetic correspondence to what preceded it in the right-hand column. Then the fourth stanza might be an "opposite" or sound correspondence to what preceded it in the left-hand column, and so forth. When the poem is completed, the echo of the last phrase, line, or sentence, generally serves as the title.
This is unrelated to the non-Surrealist echo verse form which appears as a dialogue between the questions of a character and the answers of the nymph Echo.
Read more about this topic: Surrealist Techniques
Famous quotes containing the words echo and/or poem:
“Art for art’s sake? I should think so, and more so than ever at the present time. It is the one orderly product which our middling race has produced. It is the cry of a thousand sentinels, the echo from a thousand labyrinths, it is the lighthouse which cannot be hidden ... it is the best evidence we can have of our dignity.”
—E.M. (Edward Morgan)
“Poetry has no goal other than itself; it can have no other, and no poem will be so great, so noble, so truly worthy of the name of poem, than one written uniquely for the pleasure of writing a poem.”
—Charles Baudelaire (1821–1867)