Support Group - Support Groups in Popular Media

Support Groups in Popular Media

  • The 1996 novel Fight Club (and the 1999 film adaptation) presents a wry analysis of support groups and their function.
  • In the Pixar film Finding Nemo, the two main characters encounter three sharks that form a self-help support group to help each other swear off eating fish and change their image.
  • The hit musical RENT, there is a support group to help sufferers of AIDS cope with their illness.
  • In Evermore, the teenage heroine's best friend is 'what you'd call an anonymous-group addict...she's attended twelve-step meetings for alcoholics, narcotics, codependents, debtors, gamblers, cyber addicts, nicotine junkies, social phobics, pack rats, and vulgarity lovers'. Contemplating her lack of parental support, however, the heroine concludes that 'if standing before a room full of people, creating some sob story about her tormented struggle with that day's fill-in-the-blank addiction makes her feel important, well, who am I to judge'.
  • In Wreck-It Ralph, the titular villain finds a support group for the "bad guys" that are involved in other video games. While he had been invited for 30 years, he had refused until his 30th anniversary of being in the arcade. Ultimately he finds that he is not as crazy as he thought, which goes back to the point of the support group.

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Famous quotes containing the words support, groups, popular and/or media:

    Never support two weaknesses at the same time. It’s your combination sinners—your lecherous liars and your miserly drunkards—who dishonor the vices and bring them into bad repute.
    Thornton Wilder (1897–1975)

    If we can learn ... to look at the ways in which various groups appropriate and use the mass-produced art of our culture ... we may well begin to understand that although the ideological power of contemporary cultural forms is enormous, indeed sometimes even frightening, that power is not yet all-pervasive, totally vigilant, or complete.
    Janice A. Radway (b. 1949)

    One knows so well the popular idea of health. The English country gentleman galloping after a fox—the unspeakable in full pursuit of the uneatable.
    Oscar Wilde (1854–1900)

    The media network has its idols, but its principal idol is its own style which generates an aura of winning and leaves the rest in darkness. It recognises neither pity nor pitilessness.
    John Berger (b. 1926)