Support Groups in Popular Media
- The 1996 novel Fight Club (and the 1999 film adaptation) presents a wry analysis of support groups and their function.
- In the Pixar film Finding Nemo, the two main characters encounter three sharks that form a self-help support group to help each other swear off eating fish and change their image.
- The hit musical RENT, there is a support group to help sufferers of AIDS cope with their illness.
- In Evermore, the teenage heroine's best friend is 'what you'd call an anonymous-group addict...she's attended twelve-step meetings for alcoholics, narcotics, codependents, debtors, gamblers, cyber addicts, nicotine junkies, social phobics, pack rats, and vulgarity lovers'. Contemplating her lack of parental support, however, the heroine concludes that 'if standing before a room full of people, creating some sob story about her tormented struggle with that day's fill-in-the-blank addiction makes her feel important, well, who am I to judge'.
- In Wreck-It Ralph, the titular villain finds a support group for the "bad guys" that are involved in other video games. While he had been invited for 30 years, he had refused until his 30th anniversary of being in the arcade. Ultimately he finds that he is not as crazy as he thought, which goes back to the point of the support group.
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Famous quotes containing the words support, popular and/or media:
“Those who, while they disapprove of the character and measures of a government, yield to it their allegiance and support are undoubtedly its most conscientious supporters, and so frequently the most serious obstacles to reform.”
—Henry David Thoreau (1817–1862)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“The media network has its idols, but its principal idol is its own style which generates an aura of winning and leaves the rest in darkness. It recognises neither pity nor pitilessness.”
—John Berger (b. 1926)