Design and Principle of Operation
The principle of operation of the superheterodyne receiver depends on the use of heterodyning or frequency mixing. The signal from the antenna is filtered sufficiently at least to reject the image frequency (see below) and possibly amplified. A local oscillator in the receiver produces a sine wave which mixes with that signal, shifting it to a specific intermediate frequency (IF), usually a lower frequency. The IF signal is itself filtered and amplified and possibly processed in additional ways. The demodulator uses the IF signal rather than the original radio frequency to recreate a copy of the original information (such as audio).
The diagram at right shows the minimum requirements for a single-conversion superheterodyne receiver design. The following essential elements are common to all superhet circuits: a receiving antenna, a tuned stage which may optionally contain amplification (RF amplifier), a variable frequency local oscillator, a frequency mixer, a band pass filter and intermediate frequency (IF) amplifer, and a demodulator plus additional circuitry to amplify or process the original audio signal (or other transmitted information).
Read more about this topic: Superheterodyne Receiver
Famous quotes containing the words design, principle and/or operation:
“Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you.”
—Henry David Thoreau (1817–1862)
“I do not mean to exclude altogether the idea of patriotism. I know it exists, and I know it has done much in the present contest. But I will venture to assert, that a great and lasting war can never be supported on this principle alone. It must be aided by a prospect of interest, or some reward.”
—George Washington (1732–1799)
“It requires a surgical operation to get a joke well into a Scotch understanding. The only idea of wit, or rather that inferior variety of the electric talent which prevails occasionally in the North, and which, under the name of “Wut,” is so infinitely distressing to people of good taste, is laughing immoderately at stated intervals.”
—Sydney Smith (1771–1845)