Writing
Plot lines for the first incarnation of the Super Friends did not involve any of the familiar DC Comics super-villains. They focused on the far-fetched schemes of mad scientists and aliens, who were invariably revealed as being well-intentioned, and simply pursuing their goals through unlawful or disreputable means. Typically, at the end of each story, all that is needed is a peaceful and reasonable discussion to convince the antagonists to adopt more reasonable methods.
The All-New Super Friends Hour departed somewhat from the previous series' formula by featuring villains using more violent methods to further their goals; as a rule they could not be reasoned with, requiring the heroes to use force to stop them. Beginning with Challenge of the Super Friends, several of the heroes' arch-villains from the comic books (such as Lex Luthor and The Riddler) began to feature prominently in comic-style stories. Throughout the series, plots often wrapped themselves up neatly in the final minutes of an episode in typical deus ex machina fashion.
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“To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm’s way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.”
—Virginia Woolf (1882–1941)
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—James Thurber (1894–1961)