Supa Strikas - History

History

The comic series was first published in South Africa in 2000. Afterwards publication spread to various sub-saharan African countries. By 2002 was available in South Africa, Namibia, Botswana and Zambia. Nigeria, Kenya and Uganda soon followed.

Supa Strikas, an adaptation of the British comic Roy of the Rovers, receives sponsorship from several companies, including Nike, Caltex, and other South African businesses. The sponsoring firms have product names on various panels.

The series was based on "Shakes" Mokena, a boy from Soweto area of Johannesburg. With demand for the comic growing increasingly global, Supa Strikas’ core characters remained local but a more international cast grew around them, including characters of Asian, Latin American and European extraction.

Today, the comic is available across Africa (South Africa, Namibia, Botswana, Zambia, Kenya, Uganda, Tanzania, Mauritius, Reunion, Nigeria, Ghana, Cameroon and Egypt); in Latin America (Colombia, El Salvador, Panama, Brazil, Honduras and Guatemala); in Europe (Norway, Sweden, Finland) and Asia (Malaysia and Philippines).

Supa Strikas is also an animated series. The 22 minute per episode show debuted in early 2009 in all Supa Strikas territories, and returns in 2010.

Read more about this topic:  Supa Strikas

Famous quotes containing the word history:

    In the history of the United States, there is no continuity at all. You can cut through it anywhere and nothing on this side of the cut has anything to do with anything on the other side.
    Henry Brooks Adams (1838–1918)

    Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
    Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)