Music
Sun Ra's piano technique touched on many styles: his youthful fascination with boogie woogie, stride piano and blues, a sometimes refined touch reminiscent of Count Basie or Ahmad Jamal, and angular phrases in the style of Thelonious Monk or brutal, percussive attacks like Cecil Taylor. Often overlooked is the range of influences from classical music—Sun Ra cited Chopin, Rachmaninoff, Schoenberg and Shostakovich as his favorite composers for the piano.
As a synthesizer and electric keyboard player, Sun Ra ranks among one of the earliest and most radical pioneers. By the mid-1950s, he used a variety of electric keyboards, and almost immediately, he exploited their potential perhaps more than anyone, sometimes modifying them himself to produce sounds rarely if ever heard before. His live albums from the late 1960s and early 1970s feature some of the noisiest, most bizarre keyboard work ever recorded.
Sun Ra's music can be roughly divided into three phases, but his records and performances were full of surprises and the following categories should be regarded only as approximations.
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Famous quotes containing the word music:
“Slow, slow, fresh fount, keep time with my salt tears;
Yet slower yet, oh faintly gentle springs:
List to the heavy part the music bears,
“Woe weeps out her division when she sings.”
Droop herbs and flowers;
Fall grief in showers;
“Our beauties are not ours”:
Oh, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since nature’s pride is, now, a withered daffodil.”
—Ben Jonson (1572–1637)
“How little it takes to make us happy! The sound of a bagpipe.—Without music life would be a mistake. The German even imagines God as singing songs.”
—Friedrich Nietzsche (1844–1900)
“If you really believe music is dangerous, you should let it go in one ear and out the other.”
—José Bergamín (1895–1983)