Concert History
Summerfest has been most famous for its music, ever since the first festival in 1968, when acts such as Ronnie Dove, The New Colony Six, and Up With People performed. In 1969, Led Zeppelin performed (see Midwest Rock Festival). Since then, musical acts from Bob Dylan, The Jonas Brothers, Tina Turner, and James Taylor to Christina Aguilera, Kanye West, Kid Cudi, Mary J. Blige, Wiz Khalifa, and Nine Inch Nails have graced the Summerfest stages. Acts with Milwaukee and Wisconsin connections have had a prominent history at Summerfest, most notably the BoDeans, The Gufs, Danny Gokey, and Violent Femmes.
The concerts have been mostly civil events, with two notable exceptions. In 1970, a performance by the late-arriving Sly & the Family Stone nearly resulted in a riot. In 1973, a performance by Humble Pie & the Blackberries resulted in a riot, a bonfire, and about 300 arrests. As a result of the latter concert, organizers shied away from rock bands for several years, and established guidelines for "family-friendly" acts and a ban on alcohol brought in by patrons.
Live comedy acts have also been a part of Summerfest's history, even before a regular "Comedy Showcase" was first established in 1975. Bob Hope was the main headliner at Summerfest 1969, performing two shows at Milwaukee County Stadium. George Carlin (opening for Arlo Guthrie) performed his "Seven Words You Can't Say on Television" routine at the 1972 event (and was subsequently arrested for violating obscenity laws). Prior to his arrest, he discarded a bag of cocaine to avoid further imprisonment.
Since 1975, comedy acts ranging from David Brenner and Henny Youngman to Jay Leno and Jon Stewart have performed at the event. Sandra Bernhard did TV and radio promos for its 1986 season when she was a performer there. Lewis Black has become a frequent performer at Summerfest, making near-annual performances since his first appearance in 1991.
Read more about this topic: Summerfest
Famous quotes containing the words concert and/or history:
“Science is unflinchingly deterministic, and it has begun to force its determinism into morals. On some shining tomorrow a psychoanalyst may be put into the box to prove that perjury is simply a compulsion neurosis, like beating time with the foot at a concert or counting the lampposts along the highway.”
—H.L. (Henry Lewis)
“Considered in its entirety, psychoanalysis won’t do. It’s an end product, moreover, like a dinosaur or a zeppelin; no better theory can ever be erected on its ruins, which will remain for ever one of the saddest and strangest of all landmarks in the history of twentieth-century thought.”
—Peter B. Medawar (1915–1987)