Writing
His first collection, Stances et Poèmes ("Stanzas and Poems", 1865), was praised by Sainte-Beuve. It included his most famous poem, Le vase brisé. He published more poetry before the outbreak of the Franco-Prussian War. This war, which he discussed in Impressions de la guerre (1872) and La France (1874), permanently damaged his health.
During his career, Prudhomme gradually shifted from the sentimental style of his first books towards a more personal style which unified the formality of the Parnassian school with his interest in philosophical and scientific subjects. The inspiration was clearly Lucretius's De rerum natura, for the first book of which he made a verse translation. His philosophy was expressed in La Justice (1878) and Le Bonheur (1888). The extreme economy of means employed in these poems has, however, usually been judged as compromising their poetical quality without advancing their claims as works of philosophy. He was elected to the Académie française in 1881. Another distinction, Chevalier de la Légion d’honneur, was to follow in 1895.
After, Le Bonheur, Prudhomme turned from poetry to write essays on aesthetics and philosophy. He published two important essays: L'Expression dans les beaux-arts (1884) and Réflexions sur l'art des vers (1892), a series of articles on Blaise Pascal in La Revue des Deux Mondes (1890), and an article on free will (La Psychologie du Libre-Arbitre, 1906) in the Revue de métaphysique et de morale.
Read more about this topic: Sully Prudhomme
Famous quotes containing the word writing:
“Nine-tenths of the value of a sense of humor in writing is not in the things it makes one write but in the things it keeps one from writing. It is especially valuable in this respect in serious writing, and no one without a sense of humor should ever write seriously. For without knowing what is funny, one is constantly in danger of being funny without knowing it.”
—Robert Benchley (18891945)
“In the course of writing one historical book or another, it has happened that I could hardly restrain myself from simply copying entire documents. Indeed, I sometimes sank down among the documents and said to myself, I cant improve on these.”
—Alfred Döblin (18781957)
“Writing is not like painting where you add. It is not what you put on the canvas that the reader sees. Writing is more like a sculpture where you remove, you eliminate in order to make the work visible. Even those pages you remove somehow remain.”
—Elie Wiesel (b. 1928)