Reception
The film received generally mixed reviews from critics. It has an aggregate score of 50% on Rotten Tomatoes. It was described as "a blend of Sex and the City and The Devil Wears Prada" and a "pseudo-sophisticated romantic comedy" according to Variety.com, while Pop Entertainment describes the film as "an intelligent romantic comedy that probably deserves a bigger audience than the straight-to-DVD tag will likely afford it... what is good about Suburban Girl for the most part outpaces its bad patches."
Gellar's onscreen chemistry with Baldwin was both criticised and praised, with Eye For Film commenting, "The film works best when Baldwin and Gellar are together - aside from the fact that Gellar seriously needs to eat a bun or two". Film website moviepictirefilm.com stated "Gellar and Baldwin both give wonderful performances and make their chemistry incredibly real and ultimately, quite heartbreaking. Containing a ton of laughs and killer fashion that could give The Devil Wears Prada a run for its money, this movie has something uncommon in most romantic comedies, tons of style and a huge heart."
Read more about this topic: Suburban Girl
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)