Instruments
- Aburukuwa
- Atoke
- Brekete - used especially by the Gorovodu, a vodun order of the Anlo and Ewe peoples.
- Axatse - a rattle or idiophone.
- Fontomfrom - the royal talking drum of the Akan peoples.
- Kaganu - a narrow drum or membranophone.
- Kidi - a drum about two feet tall
- Kora (instrument) - a 21 string double harp-lute
- Kloboto
- Kpanlogo
- Prempensua - large thumb piano.
- Totodzi
- Seprewa - 6-10 stringed harp of the Akan and Fante peoples of south and central Ghana, used in an old genre of praise music.
- Sogo - the largest of the supporting drums used to play in Atsiã
Lobi xylophone. Goun kakagbo - hongan
- Calabash - A dried calabash bowl turned upside down and hit with the fist and fingers wearing rings. Used as accompaniment to melodic instruments
- Flutes
- Goonji/Gonjey/Goge - Traditional one stringed-fiddle played by a majority of other sahelian groups in West Africa.
- Gungon - Bass snare drum of the Lunsi ensemble. Of northern origin, it is played throughout Ghana by various groups, known by southern groups as brekete. Related to the Dunun drums of other West African peoples.
- Gyil - large resonant Xylophones, related to the Balafon.
- Gyilgo - small pentatonic thumb piano.
- Koloko - Varieties of Sahelian lute. Varieties include the one-stringed 'Kolgo/Koliko' of Gur-speaking groups, the two-stringed 'Molo' of the Zabarma and Fulani minorities, or the two-stringed 'Gurumi' of the Hausa.
- Lunna/Kalangu - Varieties of Hourglass-shaped Talking drums.
- Musical bow - known as 'Jinjeram' (in Gurunsi) or Jinjeli (in Mossi-Dagomba languages).
- Shekere
- Whistles
- Horns
- Lemba people Instrumentation: mbira
- Yombe people instrumentation = panpipe
- Shangaan Instrument: guitar
- Venda Instruments: ngoma drums - panpipe
Comorian msondo - ndzendze. Zaramo dance/instrument msondo - also ngoma. Lango okeme. Busoga panpipe
Read more about this topic: Sub-Saharan African Music Traditions
Famous quotes containing the word instruments:
“Whilst Marx turned the Hegelian dialectic outwards, making it an instrument with which he could interpret the facts of history and so arrive at an objective science which insists on the translation of theory into action, Kierkegaard, on the other hand, turned the same instruments inwards, for the examination of his own soul or psychology, arriving at a subjective philosophy which involved him in the deepest pessimism and despair of action.”
—Sir Herbert Read (1893–1968)
“The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
—Henry Brooks Adams (1838–1918)
“I rejoice that America has resisted. Three millions of people, so dead to all the feelings of liberty, as voluntarily to submit to be slaves, would have been fit instruments to make slaves of the rest.”
—William Pitt, The Elder, Lord Chatham (1708–1778)