Television
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In 1957, Whitman, who frequently appeared as police officer Sgt. Walters on the television series Highway Patrol, was seriously considered for the role of "Bart Maverick" in the smash hit television series Maverick. The studio needed another Maverick to rotate as the series lead with James Garner. Garner, who had filmed seven episodes, closely resembled Whitman at the time, but Jack Kelly was chosen for the part.
A decade later, however, Whitman played heroic Marshal Jim Crown in the lavish western TV series Cimarron Strip for a single season. The show, which ran 90 minutes per episode, was highly regarded for its theme music, production values, and Whitman's performance. His principal costars were Jill Townsend as Dulcey Coopersmith, proprietor of the local inn, and Randy Boone, who played the photographer Francis Wilder.
Later Whitman portrayed Clark Kent's father Jonathan Kent on the popular TV series Superboy.
Whitman made over two hundred appearances in various movies and television shows over a half-century span between 1951 and 2000. One of his early roles came in 1957 in the syndicated military dramas, Harbor Command, a drama about the United States Coast Guard, and The Silent Service, based on true stories of the submarine service of the United States Navy. Whitman's last credited role was in The President's Man, released in 2000 and starring Chuck Norris. He had previously appeared with Norris in a two-part episode of Walker, Texas Ranger.
He was also a guest on Murder, She Wrote appearing in four different episodes, "Hit, Run and Homicide" (1984), "Powder Keg" (1986), "Trouble in Eden" (1987), and "Incident in Lot 7" (1992). Whitman also appeared in an episode of the TV series Ghost Story ("The Concrete Captain," c. 1973). In "Blood Sweat and Cheers", Series 4, Episode 8 of The A Team, Whitman played Jack Harman, a friend of Hannibal Smith.
Read more about this topic: Stuart Whitman
Famous quotes containing the word television:
“What is a television apparatus to man, who has only to shut his eyes to see the most inaccessible regions of the seen and the never seen, who has only to imagine in order to pierce through walls and cause all the planetary Baghdads of his dreams to rise from the dust.”
—Salvador Dali (19041989)
“Cultural expectations shade and color the images that parents- to-be form. The baby product ads, showing a woman serenely holding her child, looking blissfully and mysteriously contented, or the television parents, wisely and humorously solving problems, influence parents-to-be.”
—Ellen Galinsky (20th century)