Repertoire
The repertoire is graced with several works by Mozart (including Eine kleine Nachtmusik) and Haydn which dispense with the baroque basso continuo. Some of these works are problematic when it comes to deciding whether they are for orchestra or string quartet. Particularly in Haydn's early works it is argued that the inversions of harmony from the occasional crossings of the bass and viola line imply a double bass; the question is not settled, however.
Important 20th century works have been written for string orchestra by Bartók (Divertimento for String Orchestra), Stravinsky (Apollo), Witold Lutosławski (Musique funèbre), Benjamin Britten (Simple Symphony and Variations on a Theme of Frank Bridge), Charles Wuorinen (Grand Bamboula), and Malcolm Williamson (Symphony No. 7). Sir Michael Tippett wrote a Concerto for Double String Orchestra and Ralph Vaughan Williams wrote a Partita for Double String Orchestra. Composers who have written a Serenade for string orchestra include Tchaikovsky, Dvořák, Suk and Elgar. Mendelssohn also wrote a number of symphonies for string orchestra.
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Danse Sacrée L 103, No. 1
You can download the clip or download a player to play the clip in your browser. Read more about this topic: String Orchestra Famous quotes containing the word repertoire:“The best joke-tellers are those who have the patience to wait for conversation to come around to the point where the jokes in their repertoire have application.” “For good teaching rests neither in accumulating a shelfful of knowledge nor in developing a repertoire of skills. In the end, good teaching lies in a willingness to attend and care for what happens in our students, ourselves, and the space between us. Good teaching is a certain kind of stance, I think. It is a stance of receptivity, of attunement, of listening.” |