Contact Points Along The String
In bowed instruments, the bow is normally placed perpendicularly to the string, at a point half way between the end of the fingerboard and the bridge. However, different bow placements can be selected to change timbre. Application of the bow close to the bridge (known as sul ponticello) produces an intense, sometimes harsh sound, which acoustically emphasizes the upper harmonics. Bowing above the fingerboard (sul tasto) produces a purer tone with less overtone strength, emphasizing the fundamental, also known as flautando, since it sounds less reedy and more flute-like.
Similar timbral distinctions are also possible with plucked string instruments by selecting an appropriate plucking point, although the difference is perhaps more subtle.
In keyboard instruments, the contact point along the string (whether this be hammer, tangent, or plectrum) is a choice made by the instrument designer. Builders use a combination of experience and acoustic theory to establish the right set of contact points.
In harpsichords, often there are two sets of strings of equal length. These "choirs" usually differ in their plucking points. One choir has a "normal" plucking point, producing a canonical harpsichord sound; the other has a plucking point close to the bridge, producing a reedier "nasal" sound rich in upper harmonics.
Read more about this topic: String Instrument
Famous quotes containing the words contact, points and/or string:
“No contact with savage Indian tribes has ever daunted me more than the morning I spent with an old lady swathed in woolies who compared herself to a rotten herring encased in a block of ice.”
—Claude Lévi-Strauss (b. 1908)
“If I were in the unenviable position of having to study my work my points of departure would be the “Naught is more real ...” and the “Ubi nihil vales ...” both already in Murphy and neither very rational.”
—Samuel Beckett (1906–1989)
“Supposing everyone lived at one time what would they say. They would observe that stringing string beans is universal.”
—Gertrude Stein (1874–1946)