Changing The Pitch of A Vibrating String
There are three ways to change the pitch of a vibrating string. String instruments are tuned by varying the strings' tension because adjusting length or mass per unit length is impractical. Instruments with a fingerboard are then played by adjusting the length of the vibrating portion of the strings. The following observations all apply to a string that is infinitely flexible strung between two fixed supports. Real strings have finite curvature at the bridge and nut, and the bridge, because of its motion, are not exactly nodes of vibration. Hence the following statements about proportionality are (usually rather good) approximations.
Read more about this topic: String Instrument
Famous quotes containing the words changing the, changing, pitch, vibrating and/or string:
“By this unprincipled facility of changing the state as often, and as much, and in as many ways as there are floating fancies or fashions, the whole chain and continuity of the commonwealth would be broken. No one generation could link with the other. Men would become little better than the flies of a summer.”
—Edmund Burke (1729–1797)
“What man thinks of changing himself so as to suit his wife?”
—Anthony Trollope (1815–1882)
“People do not know the natural infirmity of their mind: it does nothing but ferret and quest, and keeps incessantly whirling around, building up and becoming entangled in its own work, like our silkworms, and is suffocated in it: a mouse in a pitch barrel.”
—Michel de Montaigne (1533–1592)
“... the structure of a page of good prose is, analyzed logically, not something frozen but the vibrating of a bridge, which changes with every step one takes on it.”
—Robert Musil (1880–1942)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)