Plot
The story primarily concerns the difficult relationship between two women, Helen Francine Peters (known simply as Francine) and Katina Marie ("Katchoo") Choovanski, and their friend David Qin. Francine considers Katchoo her best friend; Katchoo is in love with Francine. David is in love with Katchoo (a relationship which Katchoo herself is deeply confused about).
This plays itself out over a second plot element, a thriller style story concerning the shadowy 'Big Six' organization. Its leader is a woman named Darcy Parker, who uses highly trained women (of whom Katchoo was one) to infiltrate—and to an extent control—the American political system. It uses a non-linear approach to storytelling, putting in sequence elements of the story often years apart, and going back in time frequently.
SiP, as it is commonly known, began as a three-issue mini-series published by Antarctic Press in 1993, which focused entirely on the relationship between the three main characters and Francine's unfaithful boyfriend. This is now known as "Volume 1". Thirteen issues were published under Moore's own "Abstract Studio" imprint, and these make up "Volume 2". This is where the "thriller" plot was introduced. The series moved to Image Comics' Homage imprint for the start of "Volume 3", but after eight issues moved back to Abstract Studio, where it continued with the same numbering. Volume 3, and with it the series itself, has concluded, with Moore ending at issue #90 June 6. 2007.
Read more about this topic: Strangers In Paradise
Famous quotes containing the word plot:
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)