Modern Popular Culture and The Stone Age
The image of the caveman is commonly associated with the Stone Age. For example, the 2003 documentary series showing the evolution of humans through the Stone Age was called Walking with Cavemen, although only the last programme showed humans living in caves. While the idea that human beings and dinosaurs coexisted is sometimes portrayed in popular culture in cartoons, films and computer games, such as The Flintstones, One Million Years B.C. and Chuck Rock, the notion of hominids and non-avian dinosaurs co-existing is not supported by any scientific evidence.
Other depictions of the Stone Age include the best-selling Earth's Children series of books by Jean M. Auel, which are set in the Paleolithic and are loosely based on archaeological and anthropological findings. The 1981 film Quest for Fire by Jean-Jacques Annaud tells the story of a group of neanderthals searching for their lost fire. A twenty first century series, "Chronicles of Ancient Darkness" by Michelle Paver tells of two New Stone Age children fighting to fulfil a prophecy and save their clan.
Read more about this topic: Stone Age
Famous quotes containing the words modern, popular, culture, stone and/or age:
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)
“We live under continual threat of two equally fearful, but seemingly opposed, destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.”
—Susan Sontag (b. 1933)
“The treatment of African and African American culture in our education was no different from their treatment in Tarzan movies.”
—Ishmael Reed (b. 1938)
“It was a cruel city, but it was a lovely one, a savage city, yet it had such tenderness, a bitter, harsh, and violent catacomb of stone and steel and tunneled rock, slashed savagely with light, and roaring, fighting a constant ceaseless warfare of men and of machinery; and yet it was so sweetly and so delicately pulsed, as full of warmth, of passion, and of love, as it was full of hate.”
—Thomas Wolfe (1900–1938)
“A great age of literature is perhaps always a great age of translations.”
—Ezra Pound (1885–1972)