Stone Age - Modern Popular Culture and The Stone Age

Modern Popular Culture and The Stone Age

The image of the caveman is commonly associated with the Stone Age. For example, the 2003 documentary series showing the evolution of humans through the Stone Age was called Walking with Cavemen, although only the last programme showed humans living in caves. While the idea that human beings and dinosaurs coexisted is sometimes portrayed in popular culture in cartoons, films and computer games, such as The Flintstones, One Million Years B.C. and Chuck Rock, the notion of hominids and non-avian dinosaurs co-existing is not supported by any scientific evidence.

Other depictions of the Stone Age include the best-selling Earth's Children series of books by Jean M. Auel, which are set in the Paleolithic and are loosely based on archaeological and anthropological findings. The 1981 film Quest for Fire by Jean-Jacques Annaud tells the story of a group of neanderthals searching for their lost fire. A twenty first century series, "Chronicles of Ancient Darkness" by Michelle Paver tells of two New Stone Age children fighting to fulfil a prophecy and save their clan.

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Famous quotes containing the words stone age, modern, popular, culture, stone and/or age:

    Certainly ordinary language has no claim to be the last word, if there is such a thing. It embodies, indeed, something better than the metaphysics of the Stone Age, namely, as was said, the inherited experience and acumen of many generations of men.
    —J.L. (John Langshaw)

    And of the other things death is a new office building filled with modern furniture,
    A wise thing, but which has no purpose for us.
    John Ashbery (b. 1927)

    Kings govern by popular assemblies only when they cannot do without them.
    Charles James Fox (1749–1806)

    The higher, the more exalted the society, the greater is its culture and refinement, and the less does gossip prevail. People in such circles find too much of interest in the world of art and literature and science to discuss, without gloating over the shortcomings of their neighbors.
    Mrs. H. O. Ward (1824–1899)

    And when his hours are numbered, and the world
    Is all his own, retiring, as he were not,
    Leaves, when the sun appears, astonished Art
    To mimic in slow structures, stone by stone,
    Built in an age, the mad wind’s night-work,
    The frolic architecture of the snow.
    Ralph Waldo Emerson (1803–1882)

    Cats of all kinds weave in and out of the text; Burroughs has clearly taken to them in a big way in his old age and seems torn between a fear they will betray him into sentimentality and a resigned acceptance that a man can’t be ironic all the time.
    Angela Carter (1940–1992)