Modern Popular Culture and The Stone Age
The image of the caveman is commonly associated with the Stone Age. For example, the 2003 documentary series showing the evolution of humans through the Stone Age was called Walking with Cavemen, although only the last programme showed humans living in caves. While the idea that human beings and dinosaurs coexisted is sometimes portrayed in popular culture in cartoons, films and computer games, such as The Flintstones, One Million Years B.C. and Chuck Rock, the notion of hominids and non-avian dinosaurs co-existing is not supported by any scientific evidence.
Other depictions of the Stone Age include the best-selling Earth's Children series of books by Jean M. Auel, which are set in the Paleolithic and are loosely based on archaeological and anthropological findings. The 1981 film Quest for Fire by Jean-Jacques Annaud tells the story of a group of neanderthals searching for their lost fire. A twenty first century series, "Chronicles of Ancient Darkness" by Michelle Paver tells of two New Stone Age children fighting to fulfil a prophecy and save their clan.
Read more about this topic: Stone Age
Famous quotes containing the words modern, popular, culture, stone and/or age:
“In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.”
—Susan Sontag (b. 1933)
“Kings govern by popular assemblies only when they cannot do without them.”
—Charles James Fox (17491806)
“The purpose of education is to keep a culture from being drowned in senseless repetitions, each of which claims to offer a new insight.”
—Harold Rosenberg (19061978)
“This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead mans hand
Under the twinkle of a fading star.”
—T.S. (Thomas Stearns)
“The purpose of playing, whose end, both at the first and now,
was and is, to hold as twere the mirror up to nature: to show
virtue her feature, scorn her own image, and the very age and
body of the time his form and pressure.”
—William Shakespeare (15641616)