Television
In the earlier part of his career, he was publicity director for Walt Disney, and was lead writer on the stories incorporated into The Mickey Mouse Club. He produced several independent films such as 5 Against the House with Kim Novak, Huk! and Maracaibo. Later he broke into television, writing for the live Playhouse 90. Perry Mason and Alfred Hitchcock Presents soon followed.
Silliphant was known for his involvement in two TV series of the sixties, Route 66 and Naked City. Silliphant was quoted as saying that a number of his Naked City scripts were far superior to the script that won him the Oscar for In the Heat of the Night. One of his later series creations was Longstreet, which featured a blind detective played by James Franciscus who had also starred in the first season of The Naked City.
He wrote three television miniseries: Pearl (about the attack on Pearl Harbor), Space (based on the James Michener novel about America's early space program), and Mussolini: The Untold Story. He also wrote the script for a never-produced TV miniseries of Atlas Shrugged, the novel by Ayn Rand.
Read more about this topic: Stirling Silliphant
Famous quotes containing the word television:
“The technological landscape of the present day has enfranchised its own electorates—the inhabitants of marketing zones in the consumer goods society, television audiences and news magazine readerships... vote with money at the cash counter rather than with the ballot paper at the polling booth.”
—J.G. (James Graham)
“So why do people keep on watching? The answer, by now, should be perfectly obvious: we love television because television brings us a world in which television does not exist. In fact, deep in their hearts, this is what the spuds crave most: a rich, new, participatory life.”
—Barbara Ehrenreich (b. 1941)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)