One who has a stiff upper lip displays fortitude in the face of adversity, or exercises great self-restraint in the expression of emotion. The phrase is most commonly heard as part of the idiom "keep a stiff upper lip", and has traditionally been used to describe an attribute of British people (particularly upper-middle and upper class), who are sometimes perceived by other cultures as being unemotional. A sign of weakness is trembling of the upper lip, hence the saying keep a stiff upper lip. When a person's upper lip begins to tremble, it is one of the first signs that the person is scared or experiencing deep emotion. Poems that feature a memorable evocation of Victorian stoicism and a stiff upper lip include Rudyard Kipling's "If—" and W. E. Henley's "Invictus". The phrase became symbolic of the British people, and particularly of those who were products of the English public school system, during the Victorian era. The idiom seems however of American origin; its earliest known example is in a publication called the Massachusetts Spy for 14 June 1815: "I kept a stiff upper lip, and bought license to sell my goods."
Famous quotes containing the words stiff upper lip, stiff upper, stiff, upper and/or lip:
“Geez, if I could get through to you, kiddo, that depression is not sobbing and crying and giving vent, it is plain and simple reduction of feeling. Reduction, see? Of all feeling. People who keep stiff upper lips find that it’s damn hard to smile.”
—Judith Guest (b. 1936)
“Geez, if I could get through to you, kiddo, that depression is not sobbing and crying and giving vent, it is plain and simple reduction of feeling. Reduction, see? Of all feeling. People who keep stiff upper lips find that it’s damn hard to smile.”
—Judith Guest (b. 1936)
“Now stiff on a pillar with a phallic air
Nelson stylites in Trafalgar Square
Reminds the British what once they were.”
—Lawrence Durrell (1912–1990)
“When my old wife lived, upon
This day she was both pantler, butler, cook,
Both dame and servant, welcomed all, served all,
Would sing her song and dance her turn, now here
At upper end o’the table, now i’the middle,
On his shoulder, and his, her face afire
With labor, and the thing she took to quench it
She would to each one sip.”
—William Shakespeare (1564–1616)
“And, indeed, is there not something holy about a great kitchen?... The scoured gleam of row upon row of metal vessels dangling from hooks or reposing on their shelves till needed with the air of so many chalices waiting for the celebration of the sacrament of food. And the range like an altar, yes, before which my mother bowed in perpetual homage, a fringe of sweat upon her upper lip and the fire glowing in her cheeks.”
—Angela Carter (1940–1992)