Professional Career
In 1968, Turre played with Rahsaan Roland Kirk; in 1970 he recorded with Carlos Santana; and in 1972 he toured with Ray Charles. He has been the trombonist for the Saturday Night Live band since 1985 and has taught jazz trombone at the Manhattan School of Music since 1988.
Turre is also noted for playing conch and other seashells as musical instruments, which he has done since 1970. Kirk encouraged his interest in using seashells as a lip-reed instrument. Turre has a collection of shells of various sizes, which he has picked up during his travels in the Caribbean and elsewhere. The shells have their mouthpieces carefully cut and are tuned to specific pitches. When playing them as a soloist he frequently switches between shells, as each is limited in its register (the smallest shells, for example, have a practical register of only a fifth). His largest shell, from the Great Barrier Reef of Australia, has a range between the D and E below middle C, and was painted by a Cuban artist. Turre also leads "Sanctified Shells," which is a "shell choir" made up of brass players who double on seashell (using shells from Turre's collection, which he loans out for rehearsals and performances). The group released its first, eponymous album in 1993.
He has had a long experience with Latin jazz, and is also a skilled player of the cowbell and Venezuelan maracas.
Turre has been a member of the Juilliard faculty since 2008, and was previously on the faculty from 2001 to 2003.
Read more about this topic: Steve Turre
Famous quotes containing the words professional and/or career:
“Three words that still have meaning, that I think we can apply to all professional writing, are discovery, originality, invention. The professional writer discovers some aspect of the world and invents out of the speech of his time some particularly apt and original way of putting it down on paper.”
—John Dos Passos (1896–1970)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)